Last May, I have turned 50 years of professional life, a piece of history that is almost all of my adult life. And even if I don't think there's anything transcendental to celebrate, besides being still standing, thoughts overlap, flashes of memories; the persistence of a journey that, I see it again now, embraces four compact moments that I don't want to be overlooked by memory.

Lena and I meet at Magdalena Munich 2018. During rehearsal for "Daughter" of Jill Greenhalgh we talked a lot about our experience with asian heritages (she with chinese, and I with taiwanese one). We understand each other and wish to cooperate somewhere.

It was the month of December, the year 1999. I found the website of Magdalena. It was not a mirage; it was an oasis for me while questioning how to make feminist theatre in Istanbul. I wrote the email; I got the answer. Jill Greenhalgh replied. Then we met in Novi Sad in June 2000: The workshop, little talks, lots of energy exchange. It was the month August, the year 2000, we established our feminist theatre group, Tiyatro Boyalı Kuş (Theatre Painted Bird) in Istanbul.

At the conference 

Zoe Gudović writes about her experiences at the Magdalena München Saison 2018.

When I decided to come to Magdalena Munchen 2018 and take part in the programme, I knew it would be exhausting, but above all interesting and that I would learn so many new things.

Dear Magdalenas,

I recently had the privilege of attending the third Tantidhatri Festival, a Magdalena festival held in different locations in India since 2012. This time, from 15 to 20 January 2019, Tantidhatri was held at Rabindra Tirtha – an arts centre dedicated to the poet and philosopher Ranbindranath Tagore.

A year ago Helen Varley Jamieson invited me to take part in the Magdalena München Saison 2018 and share my experience from Serbia on merging art and activism.

Sandra Morán: Knowing & Recognizing & Protecting Each Other!

The long-term activist and former musician is the first openly declared lesbian in the Congress of Guatemala.

I’d like to share a few thoughts following my participation in Mestiza Chile Festival 2018, organised around “Memory and Resistance”, an important theme in this tumultuous time, just after the Brazilian elections, and the rise of the extreme-right elsewhere including in Australia.