Ya-Ling Peng and I first collaborated in 2017 when I recited part of a poem that Ya-Ling was presenting at the Magdalena International Women in Performance festival in Argentina. In 2021, Ya-Ling wrote and recited a poem as part of my online performance ‘Be Like Body–Obsolete #4’, presented in 4 international festivals. SEE PHOTOS HERE(link is external)
In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.
In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.
Em um período como o que estamos vivendo, permeado pela experiência absurda do Covid, essa onda política mundial que não protege nada do que é essencial, como a natureza que nos cerca, como posso estar presente e ainda acreditar em um futuro ?
In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.
In a period like the one we are living in, permeated by the absurd experience of Covid, this worldwide political wave that does not protect anything that is essential, such as nature that surrounds us, how can I be present and still believe in a future? I asked myself this about three years ago, both as a person and as an artist, and I also came to the point where I asked myself why I make theatre.
