The Open Page

The Open Page é uma revista de pensamentos, questões e visões de mulheres para o teatro, que foi publicado anualmente de 1996 a 2008 pelo Odin Teatret e o Projeto Magdalena.

Cópias atuais e passadas do The Open Page podem ser pedidas online pelo link Odin Teatret webshop na seção "Books - Other Authors". É possível fazer download de PDFs de artigos individuais nos links abaixo. Todos os artigos estão em inglês a não ser quando especificado outro idioma.

Teatro - Mulheres - Cartas
Open Page 13, 2008

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Aqui estão alguns artigos, o resto virá em breve.

Foreword
Editorial
La Carta, Patricia Ariza (Colombia)
Masha writes to Vershinin, Lena Simic ( Croatia/Britian)
Special ink for letters, Mirella Schino (Italy)
Giacinta Pezzana off stage, Laura Mariani (italy)
Please don't burn those letters, Maggie Gale (Britian)
Post from Peru
Abstractions of reality, Rosa Casado and Cynthia Troup (Spain and Australia)
Foot drum girl, Jia-Wen chen and Wen-Tsui Wu (Taiwan)
Fiction and concession, Marisa Naspolini (Brazil)
To Maria Canepa, Julia Varley (Britain/Denmark)
Wings, Ya-Ling Peng (Taiwan)
Paper lives, Gilly Adams (Wales)
Amsterdam, Patricia Ariza (Colombia)
Post from Cuba
To women with big eyes
Dear Friends, Jill Greenhalgh (Wales)
In search of masters, Parvathy Baul (India)
Post from Brazil
East and West, Guzin Yamaner (Turkey)
Working hands, Geddy Aniksdal (Norway)
Outlook and the bobe, Ana Woolf (Argentina/Denmark)
Los Poetas, Patricia Ariza (Colombia)
Open News
In memory of Cristina

Teatro - Mulheres - Canção
Open Page 12, 2007

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Foreword
Editorial
Everything has a sound, Geddy Aniksdal (Norway)
First, Meg Brookes (Wales)
Hidden in the blood, Roxana Pineda (Cuba)
Silent, Anette Röde (Sweden/Norway)
Just like home, Yamile Lanchas (Colombia/Spain)
My mother's song, Bianca Mastrominico - Pina Cipriani (Italy)
Through the cracks, Helen Chadwick (Britain)
Journeys of song and silences, Julia Varley (Britain/Denmark)
Corals, Rossella Viti (Italy)
A universtandable song, Natascha Nikeprelevic (Germany)
Broken chords, Charlotte Vincent (Britain)
Perseverance, Carmen Romero - Carmen G. Bandera (Spain)
Language, words and dramaturgy, Raquel Carrió (Cuba)
The permanent live link, Gaia Varon (Italy)
Sirens and tuneful weeping, Julie Robson (Australia)
The voices of the earth, Beatriz Camargo (Colombia)
Uncharted territories, Daniela Debald (Germany)
In memory: Sally Rodwell, Madeline McNamara (Aotearoa New Zealand)

Teatro - Mulheres - Prática
Open Page 11, 2006

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Foreword
Editorial
Concentrated mindlessness, Gilla Cremer (Germany)
This imaginary woman, Fern Smith (Britain)
Hunter and hunted: a haunting, Deborah Hunt (New Zealand/Puerto Rico)
Art that cuts deep, Oksana Haiko (Byelorussia)
Practising proximity, Jill Greenhalgh (Britain)
Musical eccentrics, Leo Sykes (Britain/Brazil)
Ester's book, Iben Nagel Rasmussen (Denmark)
She stands still, Tasha Faye Evans (Canada)
Enobling Nonna - enabling Maria, Maria Porter (USA)
One white rose, Tiziana Barbiero (Italy)
Song notes, Helen Chadwick (Britain)
Making the text, Anne-Sophie Erichsen (Norway)
Devising with distance, Helen Varley Jamieson (Aotearoa New Zealand)
Alternative dramaturgy, Kaite O’Reilly (Britain)
Plastic storks, panoramas and poliphony, Kirsten Delholm (Denmark)
An everyday privilege, Lena Simic (Croatia/Britain)
Intuitive methods and provocative questions, Cristina Galbiati & Ledwina Costantini (Italy/Switzerland Switzerland)
Stuttering birds, Charlotte Nightingale (Britain)
Practice of loving, Emma Dante (Italy)
Never let go, Guzin Yamaner (Turkey)
The sea is not always transparent, Cristina Castrillo (Argentina/Switzerland)
Borders, constrictions and limits, Ana Woolf (Argentina/France)
Making visible, Raphaëlle Doyon (France) & Claire Heggen (France)
Teaching space, Ruth Quinn (Britain)
Double edge theatre, Susanne Schaub (Austria/USA)
The power of the drum, Rita Superbi (Italy)
Dore Hoyer, Susana Zimmermann (Argentina)
Thinking Dance - Dancing Thought, Tess de Quincey (New Zealand/Australia)
To Keep Darkness at Bay, Geddy Aniksdal (Norway)
Poems, Patricia Ariza (Colombia)
Is it Theatre? Annet Hanneman (The Netherlands/Italy )
The Sea, Julia Varley (Britain/Denmark)
A thousand miles apart, Margaret Ames (Wales)
Turning the tables around, Ya Ling Peng (Taiwan)
Open news

Teatro - Mulheres - Marcos
Open Page 10, 2005

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Foreword
Editorial
Poems, Patricia Ariza (Colombia)
Speaking stones, Robert Secchi and Viviana Fortunato (Italy)
Strength from separation, Dijana Milosevic (Serbia and Montenegro)
A moving body, a growing mind, Ginevra Sanguigno (Italy)
Ready to drink in every word, Graciela Ferrari and Maria Escudero (Argentina)
The parade, Malin Bratlie (Norway)
A necklace, Jill Greenhalgh (Britain)
Hardness of stone, Ermanna Montanari (Italy)
Marta's gesture, Beatrice Monroy (Italy)
Theatre of a differance, Aja Marneweck (South Africa)
More or less 300, Maria Sanchez (Mexico)
A eye on the future, Karolina Spaic (Serbia/The Netherlands)
Ina - stone by stone, Josefina Baez and Veroncia Moraga (Dominican Republic/USA and Chile)
Performing words, Gilly Adams (Britain)
Heart to heart, Elisa Todd (Venezuela/Brazil)
Acts of writing and rebellion, Raquel Carrio (Cuba)
Paco Pena, Margaret Cameron (Australia)
Wasteland, Laura Martin and Laura Torres (Argentina)
Godiva rides to America, Carran Waterfield (Britain)
From circus to stillness, Nathalie Mentha (Switzerland/Italy)
Mapping the way, Maria Luisa de Zela (Peru)
Women's voices in Hong Kong, Janice Poon (Hong Kong)
Touching the telephone pole, Elsa Kvamme (Norway)
Seductive sounds, Julie Robson (Australia)
Seven blank notebooks, Julia Varley (Britain/Denmark)
Group territory, Teatro Tascabile di Bergamo (Italy)
Milestone women, Maggie Gale (Britian)
Time to celebrate, Geddy Aniksdal (Norway)
Open letters
Our Milestone, Diana Raznovich (Argentina/Spain)
Open news
In memory: Venice Manley, Helen Chadwick (Britain)

Teatro - Mulheres - Luta
Open Page 9, 2004

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Foreword
Editorial
Open quotes
Absence and evidence, Maggie Gale (Britain)
Beyond the killing fields, Em Theay (Cambodia)
Pioneering women in mexican theatre, Estela Lenero Franco (Mexico)
I am ready, Franca Rame (Italy)
Resistance, Anne Bogart (USA)
Masha, Beatrice Picon-Vallin and Janne Risum (France and Denmark)
Against a brick wall, Adelina Ong (Singapore)
A presence in the streets, Lali Armengol Argemi (Venezuela)
The eye of the beholder, Nora Amin (Egypt)
Out of the blue, Joanna Sherman and Christina Gelsone (USA)
The path of resistance, Roxana Pineda (Cuba)
The dance of the polar bears, Ulla Ryum (Denmark)
A Wordy warfare, Jill Greenhalgh (Britain)
What Gulliver walks here?, Margaret Cameron (Australia)
Ironed sheets, Julia Varley (Britain/Denmark)
Looking for the antidote, Ana Woolf (Argentina)
My priviledge, Geddy Aniksdal (Norway)
The heroin(e), Dawn Albinger (Australia)
Arts and money, Kathrine Winkelhorn (Denmark)
The world pf appearances, Iami Reboucas Freire (Brazil)
Stages of life - life on stage, Margarita Borja (Spain)
Disappearing in theatre, Maysa Zaky (Egypt)
Breaking the mirror, Beatriz Camargo (Colombia)
Falling among the nettles, Pam Woods (Britain)
Constructive constrictions, Rebeca Ralli (Peru)
People who meet and love, Angelika Goken (Germany)
Open letters
Open news

Teatro - Mulheres - Personagem
Open Page 8, 2003

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Foreword
Editorial
Open quotes
Chasing Arlecchino, Claudia Contin (Italy)
Lady Macbeth's weapon, Han Tae-Sook (Korea)
The sylphide of the century, Sorella Englund (Finland/Denmark)
Not beautiful, Alice Ivanova (Russia)
Tomoe, Rebecca Ogamo Teele (USA/Japan)
My orchestra, Guandaline Sagliocco (France/Norway)
A handful of characters, Roberta Carreri (Italy/Denmark)
Bianca and Judy, Bianca Mastrominico (Itay/Britain)
The story of the mummy bride, Maria Manty (Finland/Denmark)
The recipe, Silvia Pritz (Argentina)
The line on which life dances, Sandra Pasini (Italy/Denmark)
Dancing with darkness, Sanja Krsmanovic Tasic (Yugoslavia)
The hero disguised as a servant, Ni Nyoman Candri (Bali)
An actor's shadow, Birute Mar (Lithuania)
Giacinta plays Therese, Laura Mariani (Italy)
Turning tables, Madeline McNamara (Aotearoa New Zealand)
Personal geography, Maria Ibarreta (Argentina)
More questions than answers, Eva Maria Gauss (Germany)
Avatars in cyberspace, Frock (ass. by Helen Jamieson) (Aotearoa New Zealand)
My mother is irresistible, Anne-Sophie Erichsen (Norway)
Dramatis personae, Roxana Avila (Costa Rica)
Poetry has a melody, Raysa Fatima Taba'mrante (Morocco)
Not real, but true, Heidi Hovland (Norway)
A gift passing between us, Laylage Courie (USA)
Deep down, Geddy Aniksdal (Norway)
Rivers in the dark night, Ya-Ling Peng (Taiwan)
A letter, Anabela Teixeira (Portugal)
On not noticing an earthquake, Susan Bassnett (Britain)
Women in red, Jill Greenhalgh (Britain)
Vive les celibataires!, Hasna el Becharia (Algeria/France)
A among the people, Maria Ficara (italy)
Chronicles - a lamentation, Anna Zubrzycki (Poland)
More or less real people, Julia Varley (Britain/Denmark)
Open News
In memory: Joan Maud Littlewood, Maggie Gale (Britain)

Teatro - Mulheres - Viagem
Open Page 7, 2002

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Foreword
Editorial
A road in my mind, Iben Nagel Rasmussen (Denmark)
Walking to Avignon, Neusa Thomasi (Brazil/France)
From the crossroads of Istanbul, Ayla Algan (Turkey)
Etchings in the sand, Ananya Chatterjea (India/USA)
Words from exile, Cora Herrendorf (Argentina/Italy)
Destination India, Ileana Citaristi (Italy/India)
Easy rider, Kerensa Johnston (Australia/Bali)
Foreign landscapes, Cristina Wistari (Italy/Bali)
The invocation of lost places, Hala Nassar (Palestine/USA)
At the fajr festival in Tehran, Nehad Selaiha (Egypt)
Nefertari under cover, Julia Varley (Britain/Denmark)
Tradition and I, Touria Hadraoui (Morocco)
Resting injured feet, Nasrin Pourhosseini (Iran/France)
A universal language, Sonia M'barek (Tunisia)
Pages from my notebooks, Helen Chadwick (Britain)
Woman, Mapuche, Artist, Luisa Calcumil (Argentina)
Myth of the spider-woman, Petra Lindblom (Sweden)
Running for life, Savannah Walling (USA/Canada)
No other option, Beatriz Seibel (Argentina)
Wandering knight of love, Guillermina Willet (Brazil)
Let's go!, Ginevra Sanguigno (Italy)
Take advantage of the tide, Yamile Lanchas (Colombia)
From my diary, Leo Sykes (Britain/Brazil)
The inaccessible mountain, Clelia Falletti (Italy)
Cross country, Gedy Aniksdal (Norway)
Medea in the desert, Laylage Courie (USA)
Sea breeze, Liza Magtoto (The Philippines)
At the feet of the Himalayas, Marianne Blichfeldt (Denmark)
Roads, wheels, roundabouts, Sally Rodwell (Aotearoa New Zealand)
Orienteering
On my way, Miff Moore
Away from it all, Monica Borg Fure (Starts halfway down page)
The eyes of an old woman, Sara Serrano Lopez
The fishing trip, Susanne Christensen
What is snow like?, Verena Tay
Being in Transit
Open letters - open news
Flying to Siberia, Susan Bassnett

Teatro - Mulheres - Texto
Open Page 6, 2001

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Foreword
Editorial
Poems, Leah Thorn (Britain)
Yes, Geddy Aniksdal (Norway)
Lonely voice, Ursula Cetinski (Solvenia)
Invisible score, Birgitte Cirla (France)
Memoirs of a journey, Teresa Ludovico (Italy)
Childhood texts, Pei Yanling (China)
Talking to myself, Jane Buckler (Britain)
Coming home, Gabriela Bianco (Argentina)
Voice of silence, Susana Freire (Argentina)
Nomadic voices, Fadimata Walett Ouman (Touareg)
From paper and ink to pixels and links, Helen Jamieson (New Zealand)
Journey into criticism, Vivian Martinez Tabares (Cuba)
Words of bone and muscle, Carlotta Ikeda (Japan)
Androgynous playwriting, Elena Guiochins (Mexico)
Poetry on stage, Pilar Restrepo (Colombia)
The servant's story, Maringsih, Sarniani & Wistari (Bali)
House of text, Helen Chadwick (Britain)
Wrestling with words, Lena Ekhem (Sweden)
Dialect as discipline, Ermanna Montanari (italy)
A fierce silence, Jacky Lansley (Britain)
Words as movement, Jette Bastian (Denmark)
Ants in a carpet of clouds, Julia Varley (Britain/Denmark)
What text next?, Maggie Gale (Britain)
Poems, Liz Letizia and Leah Thorn (Italy and Britain)
Notes on theatre practice
Written on the body, Sophia New (Britain)
Glass beads, Lilicherie McGregor (Aotearoa New Zealand) (Starts halfway down page)
Playing Dreamtime, Susanne Vill (Germany)
Vanishing writing, Nor Hall (USA)
Burn Gloom, Elaine Avila (Canada) (Starts at bottom of page)
Space for memory, Ana Woolf (Argentina)
Poems, Susan Bassnett (Britain)
Open letters - Open news
In Memory: Jolanda Rodio, Geddy Aniksdal (Norway)

Teatro - Mulheres - Geração
Open Page 5, 2000

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Foreword
Editorial
That's not it!, Gilly Adams (Wales)
Stories from Silence, Maria Pia Battaglia (Italy)
A spys cover, Elizabeth Montagu (Britain)
Three Views, Verena Tay (Singapore)
The wonderland of Butoh, Netta Plotzki (Israel)
Memories find their way, Elizabeth M. Mongoma (Zimbabwe/Denmark)
Dazed and confused, Gemma Moses (Wales)
Tigers on a tightrope, Joanna Sherman (USA)
The arch of time, Graciela Ferrari (Argentina)
Trying to be born, Leo Sykes (Britain/Brazil)
Questions of time, Julia Varley (Britain/Denmark)
My work on myself as a pedagogue, Magdalena Pietruska (Poland/Sweden)
Learning from teaching, Roberta Carreri (Italy/Denmark)
Sweet pain, Geddy Aniksdal (Norway)
Stray dogs, Cristina Castrillo (Argentina/Switzerland)
Who is to blame?, Ely Schulz (Chile)
Keeping an ancient tradition alive, Ni Wayan Sudi (Bali)
Questioning the invisible, Karolina Spaic (Yugoslavia/The Netherlands)
Te Kore, Lilicherie McGregor (New Zealand)
Yuyachkani, a group experience, Ana Correa (Peru)
Within the walls of our theatre, Anne-Sophie Erichsen (Denmark/Norway)
The little sister, Dulcinea Langfelder (USA/Canada)
Without generation?, Nara Mansur (Cuba)
Generations of smiles and laughter, Christel Weiler (Germany)
To know and know nothing at all, Roxana Avila (Costa Rica)
Filling an empty theatre - Panacéia, M. Ficara - A. de Oliveira (Italy and Brazil)
Mothers and daughters
First steps, A. Golaj - A. Aniksdal - M. Erichsen (Poland and Norway)
Right now!, Line and Guro Anna Wyller (Norway)
Looking for the Tallyman, Carran and Mary Waterfield (Britain)
A family heritage, Mik Ok Park and Kim Dae Rye (South Korea)
Generations, Sue Gill and Hannah Fox (Britain)
The secret we have in common, Sandra Pasini (Italy/Denmark)
Open letters
Open news