Bibliography

Found 72 results
Author [ Title(Asc)] Type Year
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
W
B. Luci Carvalho, Varley, J., and Czertok, N., “Women Performing Europe - The Magdalena Project Across Borders”, 2022.
G. Christou, De Angelis, A., Fordham, C. Todd, Lewenstein, R., Pinnock, W., Ridings, S., Siân, J., Wertenbaker, T., and Parrish, S., Women Centre Stage: Eight Short Plays By and About Women. Nick Hern Books, 2018, p. 152.
J. Risum, “A woman watching and writing”, The Magdalena Newsletter, no. n.11 , p. p.3. , 1993.
G. Kehoul, “When the Spectator Talks Back: The Development of Practical Wisdom and an ‘ethics of care’ within the Magdalena Talks Back Network”, Conference of the Australasian Association for Drama, Theatre and Performance Studies. Australia, 2008.
H. V. Jamieson, “We collaborate [t]here: processes of networked collaboration”, in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.
C. Fry, The Way of Magdalena. Holstebro: Odin Teatrets Forlag/ Open Page Pubblications. , 2007.
C. Fry, The Way of Magdalena. Holstebro: Open Page Publications, 2007.
V
M. Grant-Iramu, “A Veritable Feast: An ‘inVisible’ Agenda”, 2013. [Online]. Available: http://womeninperformance.com/2013/11/03/a-veritable-feast-an-invisible-agenda/.
U
S. D'Agostino, “Un'isola chiamata Magdalena”, Leggendaria, vol. 92, 2012.
M. Naspolini, “Una mirada hacia la Red”, Primer Acto. Cuadernos de investigación teatral, no. n. 341, pp. pp.92-95, 2011.
C. Castrillo, “Una isla que recoge los náufragos que todavía sueñan”, Tablas. La Revista Cubana de Artes Escénicas , vol. Vol. LXXVIII, no. n.1, 2005.
M. Naspolini, “Uma trama de fios interculturais: considerações sobre o legado do Projeto Magdalena”, DAPesquisa, Centro de Artes Magazine - UDESC, vol. 8, 2011.
T
J. Karabekir, Türkiye’de Kadınlarla Ezilenlerin Tiyatrosu: Feminist Bir Metodolojiye Doğru. Istanbul: Agora Kitapligi, 2015.
L. Sykes, “Transit Festival at Odin ”, New Theatre Quarterly, vol. Vol. IX, no. n. 36 , pp. pp.390-392, 1993.
C. Castrillo, Tracce – le mappe di un mestiere. Lugano: Edizioni Ulivo, 2015.
S. D'Agostino, “On tiptoe en Santa Clara”, Tablas. La Revista Cubana de Artes Escénicas, vol. LXXXVIII, no. n.1, 2008.
S. D'Agostino, On Tiptoe a Santa Clara. Rome: Bulzoni Editore, 2010, p. 170.
V. Ann Cremona, Galli, F., and Varley, J., THINKING WITH THE FEET / PENSARE CON I PIEDI. Holstebro: Odin Teatret, 2017.
G. Adams, Aniksdal, G., Greenhalgh, J., and Varley, J., TheMagdalenaProject@25 - Legacy and Challenge. Holstebro: The Open Page Publications, 2011.
M. Naspolini, “Teatro feito por mulheres é tema de encontro mundial”, Jornal A Notícia , Florianópolis, 2004.
P. Baul and Ramanathaiyer, S., Tantidhatri One. Trivandrum, India: Ekathara Kalari, 2016, p. 108.
S
M. B. Gale and Dorney, K., Stage women, 1900-50: Female theatre workers and professional practice. Manchester: Manchester University Press, 2019, p. 328.
V. Featherstone, Snatches: Moments from 100 Years of Women's Lives. Nick Hern Books, 2018, p. 112.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
C. Ciccarelli, “Sguardo all'interno sul Magfest/ Corpo – Parola – Potere”, Culture Teatrali , 2012. [Online]. Available: http://www.cultureteatrali.org.

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