Bibliography

Se encontraron 55 resultados
Autor Título Tipo [ Año(Asc)]
2019
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
C. Jacobson, «Magdalena Aotearoa 1997 – », Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
G. Adams, Aniksdal, G., Gale, M. B., y Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
2018
A. Jakubowska y Deepwell, K., All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.
R. L. Goldberg, Performance Now. USA: Thames & Hudson, 2018, p. 256.
C. Castrillo, Rastros – el mapa de un oficio . Madrid, España: Libreria Yorick, 2018.
V. Featherstone, Snatches: Moments from 100 Years of Women's Lives. Nick Hern Books, 2018, p. 112.
G. Christou, De Angelis, A., Fordham, C. Todd, Lewenstein, R., Pinnock, W., Ridings, S., Siân, J., Wertenbaker, T., y Parrish, S., Women Centre Stage: Eight Short Plays By and About Women. Nick Hern Books, 2018, p. 152.
2017
G. Adams, Aniksdal, G., Gale, M., y Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
V. Ann Cremona, Galli, F., y Varley, J., THINKING WITH THE FEET / PENSARE CON I PIEDI. Holstebro: Odin Teatret, 2017.
H. V. Jamieson, «We collaborate [t]here: processes of networked collaboration», in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.
2016
D. Barnett, Carlin-Metz, E., Cleary, B., Clemons, L., Diamond, D., Greenhalgh, J., Hamilton, D., Kirakosyan, L., Knezević, D., Margraff, R., Medenica, I., Sarno, A., Skelton, A., Stephenson, M., y Womack, S., DAH Theatre: A Sourcebook. Lexington Books, 2016.
M. Cameron, I Shudder to Think: performance as philosophy., First., vol. 1, 1 vol. Brisbane/Nerang: Ladyfinger Press, 2016, p. 214.
P. Baul y Ramanathaiyer, S., Tantidhatri One. Trivandrum, India: Ekathara Kalari, 2016, p. 108.
2015
I. Pascual, La AMAEM Marias Guerreras. Asociacionismo de mujeres y acción cultural. Por: Itziar Pascual, Universitat Jaume I., vol. 1, 1 vol. Spain: Universitat Jaume I, 2015.
H. V. Jamieson, «La plateforme UpStage, la cyberformance et l'assistance (intermédiale)», in Théâtre et intermédialité, J. - M. Larrue Lille: Presses Universitaires du Septentrion, 2015, pp. 355-381.
C. Castrillo, Tracce – le mappe di un mestiere. Lugano: Edizioni Ulivo, 2015.
J. Karabekir, Türkiye’de Kadınlarla Ezilenlerin Tiyatrosu: Feminist Bir Metodolojiye Doğru. Istanbul: Agora Kitapligi, 2015.
2014
H. V. Jamieson y Abrahams, A., CyPosium - the book. Brescia: Link Editions, 2014, p. 171.
A. Dimitrakaki, Peraica, A., Orel, B., Kukovec, D., and DeLVe, G. S., Ratkovic, M., Grzinic, M., Pachmanová, M., Babic, M., Milevska, S., Hvala, T., y Tatarczuk, W., Performative Gestures Political Moves. Ljubljana: The City of Women, Ljubljana and Red Athena University Press, 2014.
2013
J. Greenhalgh y Gale, M. B., «Magdalena@25: Articulating the Magdalena Project – Past, Present and Future», Contemporary Theatre Review, vol. 23, n.º 2, 2013.
M. Grant-Iramu, «A Veritable Feast: An ‘inVisible’ Agenda», 2013. [Online]. Available: http://womeninperformance.com/2013/11/03/a-veritable-feast-an-invisible-agenda/.
2012
G. Palladini, Dal Magdalena Project al Magfest. Un percorso sul teatro al femminile in Italia. Spoleto: Editoria&Spettacolo, 2012, p. 168.
C. Ciccarelli, «Sguardo all'interno sul Magfest/ Corpo – Parola – Potere», Culture Teatrali , 2012. [Online]. Available: http://www.cultureteatrali.org.

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