Se encontraron 71 resultados
Autor Título Tipo [ Año(Asc)]
B. Mastrominico, «Active Spectatorship and Co-creation in the Digital Making of Flanker Origami», Body, Space and Technology, vol. 22, n.º 22, 2023.
B. Mastrominico, «Home-specific Performance and the Digital Staging of the Domestic in Flanker Origami», International Journal of Performance Arts and Digital Media, 2023.
G. Aniksdal, «Looking onto the Boulder», Contemporary Theatre Review, vol. 32, n.º 3-4, pp. 342-346, 2023.
V. Bovino y Bastidas, G. Acosta, «Mujeres, Madre tierra y Sanación: palabras desde un jardín secreto llamado Proyecto Magdalena», Conjunto, vol. 9, n.º 208-209, pp. 8-10, 2023.
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
C. Jacobson, «Magdalena Aotearoa 1997 – », Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available:
G. Adams, Aniksdal, G., Gale, M. B., y Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
M. B. Gale y Dorney, K., Stage women, 1900-50: Female theatre workers and professional practice. Manchester: Manchester University Press, 2019, p. 328.
G. Adams, Aniksdal, G., Gale, M., y Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
V. Ann Cremona, Galli, F., y Varley, J., THINKING WITH THE FEET / PENSARE CON I PIEDI. Holstebro: Odin Teatret, 2017.
H. V. Jamieson, «We collaborate [t]here: processes of networked collaboration», in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.