Bibliography

Found 72 results
Author [ Title(Asc)] Type Year
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G. Adams, Aniksdal, G., Gale, M. B., and Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
F. Babbage, “`A Review of The Open Page: Issue One "Women Theatre Myth"”, Vol 6, Part 2, 1997.
Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2022.
M. Porter, Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2021, p. 172.
C. Castrillo, Rastros – el mapa de un oficio . Madrid, España: Libreria Yorick, 2018.
P
A. Dimitrakaki, Peraica, A., Orel, B., Kukovec, D., and DeLVe, G. S., Ratkovic, M., Grzinic, M., Pachmanová, M., Babic, M., Milevska, S., Hvala, T., and Tatarczuk, W., Performative Gestures Political Moves. Ljubljana: The City of Women, Ljubljana and Red Athena University Press, 2014.
R. L. Goldberg, Performance Now. USA: Thames & Hudson, 2018, p. 256.
S. D'Agostino, “Per gemmazione carsica: The Magdalena Project a Cardiff”, ateatro, vol. 135, no. 90, 2011.
O
L. Corcuera, “Otra Genealogía del Teatro”, Artes Escénicas, vol. 159, 2011.
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V. Bovino and Bastidas, G. Acosta, “Mujeres, Madre tierra y Sanación: palabras desde un jardín secreto llamado Proyecto Magdalena”, Conjunto, vol. 9, no. 208-209, pp. 8-10, 2023.
L. Simic and Underwood-Lee, E., Maternal Performance: Feminist Relations. Cham: Palgrave McMillan, 2022, p. XII, 252.
J. Greenhalgh and Gale, M. B., “Magdalena@25: Articulating the Magdalena Project – Past, Present and Future”, Contemporary Theatre Review, vol. 23, no. 2, 2013.
S. Bassnett, Magdalena: International Women's Experimental Theatre. Oxford - New York - Munich: Berg Publishers, 1989.
S. Bassnett, Magdalena: international women's experimental theatre. Oxford: Berg, 1992.
C. Jacobson, “Magdalena Aotearoa 1997 – ”, Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
J. Greenhalgh, “Magdalena - a polemic, a festival”, Performance Magazine, no. 42, 1986.
L. Wade Soule, “Magdalena 1995: Mothers of Invention”, New Theatre Quarterly, vol. 12, no. 45, pp. 85-86, 1996.
N. Mateo, “Maestras en el Magdalena Project”, Primer Acto. Cuadernos de investigación teatral, no. n. 341, pp. pp.87-91, 2011.
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G. Aniksdal, “Looking onto the Boulder”, Contemporary Theatre Review, vol. 32, no. 3-4, pp. 342-346, 2023.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
H. V. Jamieson, “La plateforme UpStage, la cyberformance et l'assistance (intermédiale)”, in Théâtre et intermédialité, J. - M. Larrue, Ed. Lille: Presses Universitaires du Septentrion, 2015, pp. 355-381.
N. Mansur, “La odisea de la escritura ”, in Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, no. n.1, 2005.
I. Pascual, La AMAEM Marias Guerreras. Asociacionismo de mujeres y acción cultural. Por: Itziar Pascual, Universitat Jaume I., vol. 1, 1 vol. Spain: Universitat Jaume I, 2015.
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M. Filomena Ottaviani, “Julia Varley”, l’Enciclopedia delle donne, 2021. [Online]. Available: http://www.enciclopediadelledonne.it/biografie/julia-varley/.
C. Peña Pérez, “Julia. Taller impartido por Julia Varley”, Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, no. n.1, pp. pp.26-28., 2005.

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