Bibliography

Found 69 results
[ Author(Desc)] Title Type Year
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
A
G. Adams, Aniksdal, G., Gale, M., and Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
G. Adams, Aniksdal, G., Gale, M. B., and Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
G. Adams, Aniksdal, G., Greenhalgh, J., and Varley, J., TheMagdalenaProject@25 - Legacy and Challenge. Holstebro: The Open Page Publications, 2011.
G. Aniksdal, “Looking onto the Boulder”, Contemporary Theatre Review, vol. 32, no. 3-4, pp. 342-346, 2023.
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
B
F. Babbage, “`A Review of The Open Page: Issue One "Women Theatre Myth"”, Vol 6, Part 2, 1997.
A. Bandettini, “Cherchez la femme”, Teatro Festival, no. 12, pp. 6-8, 1989.
D. Barnett, Carlin-Metz, E., Cleary, B., Clemons, L., Diamond, D., Greenhalgh, J., Hamilton, D., Kirakosyan, L., Knezević, D., Margraff, R., Medenica, I., Sarno, A., Skelton, A., Stephenson, M., and Womack, S., DAH Theatre: A Sourcebook. Lexington Books, 2016.
S. Bassnett, Magdalena: International Women's Experimental Theatre. Oxford - New York - Munich: Berg Publishers, 1989.
S. Bassnett, Magdalena: international women's experimental theatre. Oxford: Berg, 1992.
P. Baul and Ramanathaiyer, S., Tantidhatri One. Trivandrum, India: Ekathara Kalari, 2016, p. 108.
V. Bovino and Bastidas, G. Acosta, “Mujeres, Madre tierra y Sanación: palabras desde un jardín secreto llamado Proyecto Magdalena”, Conjunto, vol. 9, no. 208-209, pp. 8-10, 2023.
C
M. Cameron, I Shudder to Think: performance as philosophy., First., vol. 1, 1 vol. Brisbane/Nerang: Ladyfinger Press, 2016, p. 214.
B. Luci Carvalho, Varley, J., and Czertok, N., “Women Performing Europe - The Magdalena Project Across Borders”, 2022.
C. Castrillo, “Una isla que recoge los náufragos que todavía sueñan”, Tablas. La Revista Cubana de Artes Escénicas , vol. Vol. LXXVIII, no. n.1, 2005.
C. Castrillo, Tracce – le mappe di un mestiere. Lugano: Edizioni Ulivo, 2015.
C. Castrillo, Rastros – el mapa de un oficio . Madrid, España: Libreria Yorick, 2018.
G. Christou, De Angelis, A., Fordham, C. Todd, Lewenstein, R., Pinnock, W., Ridings, S., Siân, J., Wertenbaker, T., and Parrish, S., Women Centre Stage: Eight Short Plays By and About Women. Nick Hern Books, 2018, p. 152.
C. Ciccarelli, “Sguardo all'interno sul Magfest/ Corpo – Parola – Potere”, Culture Teatrali , 2012. [Online]. Available: http://www.cultureteatrali.org.
L. Corcuera, “Otra Genealogía del Teatro”, Artes Escénicas, vol. 159, 2011.
V. Ann Cremona, Galli, F., and Varley, J., THINKING WITH THE FEET / PENSARE CON I PIEDI. Holstebro: Odin Teatret, 2017.
D
S. D'Agostino, “Un'isola chiamata Magdalena”, Leggendaria, vol. 92, 2012.
S. D'Agostino, “Per gemmazione carsica: The Magdalena Project a Cardiff”, ateatro, vol. 135, no. 90, 2011.
S. D'Agostino, On Tiptoe a Santa Clara. Rome: Bulzoni Editore, 2010, p. 170.
S. D'Agostino, “On tiptoe en Santa Clara”, Tablas. La Revista Cubana de Artes Escénicas, vol. LXXXVIII, no. n.1, 2008.

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