Bibliography

Found 72 results
Author Title [ Type(Desc)] Year
Book
G. Adams, Aniksdal, G., Greenhalgh, J., and Varley, J., TheMagdalenaProject@25 - Legacy and Challenge. Holstebro: The Open Page Publications, 2011.
V. Ann Cremona, Galli, F., and Varley, J., THINKING WITH THE FEET / PENSARE CON I PIEDI. Holstebro: Odin Teatret, 2017.
S. D'Agostino, On Tiptoe a Santa Clara. Rome: Bulzoni Editore, 2010, p. 170.
C. Castrillo, Tracce – le mappe di un mestiere. Lugano: Edizioni Ulivo, 2015.
J. Karabekir, Türkiye’de Kadınlarla Ezilenlerin Tiyatrosu: Feminist Bir Metodolojiye Doğru. Istanbul: Agora Kitapligi, 2015.
C. Fry, The Way of Magdalena. Holstebro: Open Page Publications, 2007.
C. Fry, The Way of Magdalena. Holstebro: Odin Teatrets Forlag/ Open Page Pubblications. , 2007.
G. Christou, De Angelis, A., Fordham, C. Todd, Lewenstein, R., Pinnock, W., Ridings, S., Siân, J., Wertenbaker, T., and Parrish, S., Women Centre Stage: Eight Short Plays By and About Women. Nick Hern Books, 2018, p. 152.
Book Chapter
H. V. Jamieson, “La plateforme UpStage, la cyberformance et l'assistance (intermédiale)”, in Théâtre et intermédialité, J. - M. Larrue, Ed. Lille: Presses Universitaires du Septentrion, 2015, pp. 355-381.
H. V. Jamieson, “We collaborate [t]here: processes of networked collaboration”, in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.
Conference Proceedings
G. Kehoul, “When the Spectator Talks Back: The Development of Practical Wisdom and an ‘ethics of care’ within the Magdalena Talks Back Network”, Conference of the Australasian Association for Drama, Theatre and Performance Studies. Australia, 2008.
DVD
J. Greenhalgh and Brookes, M., “The Articulate Practitioner: Articulating Practice”. 2007.
Journal Article
J. Greenhalgh, Tran., “3 Suggestions”, The Magdalena Newsletter, no. n. 10, 1993.
B. Mastrominico, “Active Spectatorship and Co-creation in the Digital Making of Flanker Origami”, Body, Space and Technology, vol. 22, no. 22, 2023.
““Beyond the Network. Towards a rainbow-like theory”in Studia UBB Dramatica, LIX, n. 1, 2014, pp.235-259.”, Studia UBB Dramatica, vol. LIX, n.1 , pp. pp.235-259, 2014.
B. Mastrominico, “Bodies:On:Live-Magdalena:On:Line ”, International Journal of Performance Arts and Digital Media , 2022.
F. T. Evans, “A capella”, Tablas. La Revista Cubana de Artes Escénicas , vol. Vol. LXXVIII, no. n.1, 2005.
M. Porter, “Carta del Limbo ”, Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXXVIII, no. n. 1, pp. pp.65-67, 2008.
A. Bandettini, “Cherchez la femme”, Teatro Festival, no. 12, pp. 6-8, 1989.
I. Pascual, “Cultura de mujeres, mujeres de cultura”, Primer Acto. Cuadernos de investigación teatral, no. n.341, 2011.
B. Mastrominico, “Embodying Essence through Absence: Performance Practice and Pedagogy Through Digital Platforms”, 2022.
B. Mastrominico, “Home-specific Performance and the Digital Staging of the Domestic in Flanker Origami”, International Journal of Performance Arts and Digital Media, 2023.
L. Simic, “On the Issue of Belonging: Thinking through Networks and Generations”, Body Space Technology, vol. 8, no. 1, 2009.
C. Peña Pérez, “Julia. Taller impartido por Julia Varley”, Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, no. n.1, pp. pp.26-28., 2005.
N. Mansur, “La odisea de la escritura ”, in Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, no. n.1, 2005.

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