Bibliography

Found 72 results
Author [ Title(Desc)] Type Year
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
L
N. Mansur, “La odisea de la escritura ”, in Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, no. n.1, 2005.
H. V. Jamieson, “La plateforme UpStage, la cyberformance et l'assistance (intermédiale)”, in Théâtre et intermédialité, J. - M. Larrue, Ed. Lille: Presses Universitaires du Septentrion, 2015, pp. 355-381.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
G. Aniksdal, “Looking onto the Boulder”, Contemporary Theatre Review, vol. 32, no. 3-4, pp. 342-346, 2023.
M
N. Mateo, “Maestras en el Magdalena Project”, Primer Acto. Cuadernos de investigación teatral, no. n. 341, pp. pp.87-91, 2011.
L. Wade Soule, “Magdalena 1995: Mothers of Invention”, New Theatre Quarterly, vol. 12, no. 45, pp. 85-86, 1996.
J. Greenhalgh, “Magdalena - a polemic, a festival”, Performance Magazine, no. 42, 1986.
C. Jacobson, “Magdalena Aotearoa 1997 – ”, Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
S. Bassnett, Magdalena: international women's experimental theatre. Oxford: Berg, 1992.
S. Bassnett, Magdalena: International Women's Experimental Theatre. Oxford - New York - Munich: Berg Publishers, 1989.
J. Greenhalgh and Gale, M. B., “Magdalena@25: Articulating the Magdalena Project – Past, Present and Future”, Contemporary Theatre Review, vol. 23, no. 2, 2013.
L. Simic and Underwood-Lee, E., Maternal Performance: Feminist Relations. Cham: Palgrave McMillan, 2022, p. XII, 252.
V. Bovino and Bastidas, G. Acosta, “Mujeres, Madre tierra y Sanación: palabras desde un jardín secreto llamado Proyecto Magdalena”, Conjunto, vol. 9, no. 208-209, pp. 8-10, 2023.
O
L. Corcuera, “Otra Genealogía del Teatro”, Artes Escénicas, vol. 159, 2011.
P
S. D'Agostino, “Per gemmazione carsica: The Magdalena Project a Cardiff”, ateatro, vol. 135, no. 90, 2011.
R. L. Goldberg, Performance Now. USA: Thames & Hudson, 2018, p. 256.
A. Dimitrakaki, Peraica, A., Orel, B., Kukovec, D., and DeLVe, G. S., Ratkovic, M., Grzinic, M., Pachmanová, M., Babic, M., Milevska, S., Hvala, T., and Tatarczuk, W., Performative Gestures Political Moves. Ljubljana: The City of Women, Ljubljana and Red Athena University Press, 2014.
R
C. Castrillo, Rastros – el mapa de un oficio . Madrid, España: Libreria Yorick, 2018.
Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2022.
M. Porter, Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2021, p. 172.
F. Babbage, “`A Review of The Open Page: Issue One "Women Theatre Myth"”, Vol 6, Part 2, 1997.
G. Adams, Aniksdal, G., Gale, M. B., and Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
S
C. Ciccarelli, “Sguardo all'interno sul Magfest/ Corpo – Parola – Potere”, Culture Teatrali , 2012. [Online]. Available: http://www.cultureteatrali.org.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
V. Featherstone, Snatches: Moments from 100 Years of Women's Lives. Nick Hern Books, 2018, p. 112.

Pages