Bibliography

Found 72 results
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2017
H. V. Jamieson, “We collaborate [t]here: processes of networked collaboration”, in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.
2016
ACTING & BEING: Explorations in Embodied Performance, First Edition. London: Palgrave Macmillan, 2016, p. 239.
D. Barnett, Carlin-Metz, E., Cleary, B., Clemons, L., Diamond, D., Greenhalgh, J., Hamilton, D., Kirakosyan, L., Knezević, D., Margraff, R., Medenica, I., Sarno, A., Skelton, A., Stephenson, M., and Womack, S., DAH Theatre: A Sourcebook. Lexington Books, 2016.
M. Cameron, I Shudder to Think: performance as philosophy., First., vol. 1, 1 vol. Brisbane/Nerang: Ladyfinger Press, 2016, p. 214.
P. Baul and Ramanathaiyer, S., Tantidhatri One. Trivandrum, India: Ekathara Kalari, 2016, p. 108.
2015
I. Pascual, La AMAEM Marias Guerreras. Asociacionismo de mujeres y acción cultural. Por: Itziar Pascual, Universitat Jaume I., vol. 1, 1 vol. Spain: Universitat Jaume I, 2015.
H. V. Jamieson, “La plateforme UpStage, la cyberformance et l'assistance (intermédiale)”, in Théâtre et intermédialité, J. - M. Larrue, Ed. Lille: Presses Universitaires du Septentrion, 2015, pp. 355-381.
C. Castrillo, Tracce – le mappe di un mestiere. Lugano: Edizioni Ulivo, 2015.
J. Karabekir, Türkiye’de Kadınlarla Ezilenlerin Tiyatrosu: Feminist Bir Metodolojiye Doğru. Istanbul: Agora Kitapligi, 2015.
2014
““Beyond the Network. Towards a rainbow-like theory”in Studia UBB Dramatica, LIX, n. 1, 2014, pp.235-259.”, Studia UBB Dramatica, vol. LIX, n.1 , pp. pp.235-259, 2014.
H. V. Jamieson and Abrahams, A., Trans., CyPosium - the book. Brescia: Link Editions, 2014, p. 171.
A. Dimitrakaki, Peraica, A., Orel, B., Kukovec, D., and DeLVe, G. S., Ratkovic, M., Grzinic, M., Pachmanová, M., Babic, M., Milevska, S., Hvala, T., and Tatarczuk, W., Performative Gestures Political Moves. Ljubljana: The City of Women, Ljubljana and Red Athena University Press, 2014.
2013
J. Greenhalgh and Gale, M. B., “Magdalena@25: Articulating the Magdalena Project – Past, Present and Future”, Contemporary Theatre Review, vol. 23, no. 2, 2013.
M. Grant-Iramu, “A Veritable Feast: An ‘inVisible’ Agenda”, 2013. [Online]. Available: http://womeninperformance.com/2013/11/03/a-veritable-feast-an-invisible-agenda/.
2012
G. Palladini, Dal Magdalena Project al Magfest. Un percorso sul teatro al femminile in Italia. Spoleto: Editoria&Spettacolo, 2012, p. 168.
C. Ciccarelli, “Sguardo all'interno sul Magfest/ Corpo – Parola – Potere”, Culture Teatrali , 2012. [Online]. Available: http://www.cultureteatrali.org.
S. D'Agostino, “Un'isola chiamata Magdalena”, Leggendaria, vol. 92, 2012.
2011
I. Pascual, “Cultura de mujeres, mujeres de cultura”, Primer Acto. Cuadernos de investigación teatral, no. n.341, 2011.
N. Mateo, “Maestras en el Magdalena Project”, Primer Acto. Cuadernos de investigación teatral, no. n. 341, pp. pp.87-91, 2011.
L. Corcuera, “Otra Genealogía del Teatro”, Artes Escénicas, vol. 159, 2011.
S. D'Agostino, “Per gemmazione carsica: The Magdalena Project a Cardiff”, ateatro, vol. 135, no. 90, 2011.
G. Adams, Aniksdal, G., Greenhalgh, J., and Varley, J., TheMagdalenaProject@25 - Legacy and Challenge. Holstebro: The Open Page Publications, 2011.
M. Naspolini, “Uma trama de fios interculturais: considerações sobre o legado do Projeto Magdalena”, DAPesquisa, Centro de Artes Magazine - UDESC, vol. 8, 2011.
M. Naspolini, “Una mirada hacia la Red”, Primer Acto. Cuadernos de investigación teatral, no. n. 341, pp. pp.92-95, 2011.
2010
S. D'Agostino, On Tiptoe a Santa Clara. Rome: Bulzoni Editore, 2010, p. 170.

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