Bibliography

Found 67 results
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2023
G. Aniksdal, « Looking onto the Boulder », Contemporary Theatre Review, vol. 32, nᵒ 3-4, p. 342-346, 2023.
2022
B. Mastrominico, « Bodies:On:Live-Magdalena:On:Line  », International Journal of Performance Arts and Digital Media , 2022.
B. Mastrominico, « Embodying Essence through Absence: Performance Practice and Pedagogy Through Digital Platforms », 2022.
L. Simic et Underwood-Lee, E., Maternal Performance: Feminist Relations. Cham: Palgrave McMillan, 2022, p. XII, 252.
Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2022.
2021
M. Naspolini, Fronteiras em movimento: modos de criação e organização no Projeto Magdalena - rede internacional de mulheres na cena contemporânea. Dialética, 2021, p. 224.
M. Filomena Ottaviani, « Julia Varley », l’Enciclopedia delle donne, 2021. [Online]. Available: http://www.enciclopediadelledonne.it/biografie/julia-varley/.
M. Porter, Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2021, p. 172.
2019
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
C. Jacobson, « Magdalena Aotearoa 1997 –  », Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
G. Adams, Aniksdal, G., Gale, M. B., et Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
M. B. Gale et Dorney, K., Stage women, 1900-50: Female theatre workers and professional practice. Manchester: Manchester University Press, 2019, p. 328.
2018
A. Jakubowska et Deepwell, K., All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.
R. L. Goldberg, Performance Now. USA: Thames & Hudson, 2018, p. 256.
C. Castrillo, Rastros – el mapa de un oficio . Madrid, España: Libreria Yorick, 2018.
V. Featherstone, Snatches: Moments from 100 Years of Women's Lives. Nick Hern Books, 2018, p. 112.
G. Christou, De Angelis, A., Fordham, C. Todd, Lewenstein, R., Pinnock, W., Ridings, S., Siân, J., Wertenbaker, T., et Parrish, S., Women Centre Stage: Eight Short Plays By and About Women. Nick Hern Books, 2018, p. 152.
2017
G. Adams, Aniksdal, G., Gale, M., et Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
V. Ann Cremona, Galli, F., et Varley, J., THINKING WITH THE FEET / PENSARE CON I PIEDI. Holstebro: Odin Teatret, 2017.
H. V. Jamieson, « We collaborate [t]here: processes of networked collaboration », in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.
2016
ACTING & BEING: Explorations in Embodied Performance, First Edition. London: Palgrave Macmillan, 2016, p. 239.
D. Barnett, Carlin-Metz, E., Cleary, B., Clemons, L., Diamond, D., Greenhalgh, J., Hamilton, D., Kirakosyan, L., Knezević, D., Margraff, R., Medenica, I., Sarno, A., Skelton, A., Stephenson, M., et Womack, S., DAH Theatre: A Sourcebook. Lexington Books, 2016.
M. Cameron, I Shudder to Think: performance as philosophy., First., vol. 1, 1 vol. Brisbane/Nerang: Ladyfinger Press, 2016, p. 214.

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