I have been thinking a lot lately about methods and ways of working. I asked questions on how we, as, artist, exist in a space and what is this space? Perhaps my reflection is more about how do we as an artist, provoke change and whether we can create an ecological system of rigour and sustainability in our practice?
Christina Fornaciairi writes about “O Levante International Festival of Women on Stage”, which took place from September 9 to 15, 2019 in Belo Horizonte, Brazil; "bringing difference and repetition, tradition and renewal, “O Levante!” provided a harmonious and non-repressive space, raising the intensity of life, something exceptional nowadays. May other editions come!"
Today, November 2nd, 2019, we celebrate the opening of a new space. I want to tell you that it is a space of art, physical and symbolic and that it is located in southern Brazil, in Curitiba, Paraná.
Hoje, 02 de novembro de 2019, celebramos a abertura de um novo espaço. Quero contar que é um espaço de arte, físico e simbólico e que ele está localizado no sul do Brasil, em Curitiba, Paraná.
Today, November 2nd, 2019, we celebrate the opening of a new space. I want to tell you that it is a space of art, physical and symbolic and that it is located in southern Brazil, in Curitiba, Paraná.
Christina Fornaciairi writes about “O Levante International Festival of Women on Stage”, which took place from September 9 to 15, 2019 in Belo Horizonte, Brazil; "bringing difference and repetition, tradition and renewal, “O Levante!” provided a harmonious and non-repressive space, raising the intensity of life, something exceptional nowadays. May other editions come!"
É uma alegria receber o convite para falar de “O Levante! Festival Internacional de Mulheres em Cena”, que ocorreu entre os dias 9 e 15 de setembro de 2019 em Belo Horizonte, Brasil. Unindo diferença e repetição, tradição e renovação, “O Levante!” proporcionou um espaço de convívio harmonioso e não repressivo, elevou o grau de intensidade da vida, algo excepcional nos dias de hoje. Que venham outras edições!
Helen me convidou para o Magdalena München Saison 2018, para participar de uma residência artística de três meses em Munique na Villa Waldberta, um lugar maravilhoso, uma casa maravilhosa e que carrega tantas histórias...
Marianne Kjær Klausen writes about her meetings with the Magdalena Project and with the Kurdish author Yıldız Çakar, who is living in exile in Germany. One important aspect of her joining the Magdalena Project is to stay connected to the political reality of colleagues in different countries, to keep herself integrated in a world from which it is easy to become detached.
Helen invited me the the Magdalena München Season 2018, to participate in a three-month artistic residence in Munich, in Villa Waldberta, a fantastic place, a wonderful house full of so many stories. It was my first artistic residence, and also the first time that I and Ivan, my son, experienced snow – and its silence.