Found 69 results
[ Author(Desc)] Title Type Year
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B. Mastrominico, Active Spectatorship and Co-creation in the Digital Making of Flanker Origami, Body, Space and Technology, vol. 22, no. 22, 2023.
N. Mateo, Maestras en el Magdalena Project, Primer Acto. Cuadernos de investigación teatral, no. n. 341, pp. pp.87-91, 2011.
G. Palladini, Dal Magdalena Project al Magfest. Un percorso sul teatro al femminile in Italia. Spoleto: Editoria&Spettacolo, 2012, p. 168.
I. Pascual, Cultura de mujeres, mujeres de cultura, Primer Acto. Cuadernos de investigación teatral, no. n.341, 2011.
I. Pascual, La AMAEM Marias Guerreras. Asociacionismo de mujeres y acción cultural. Por: Itziar Pascual, Universitat Jaume I., vol. 1, 1 vol. Spain: Universitat Jaume I, 2015.
C. Peña Pérez, Julia. Taller impartido por Julia Varley, Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, no. n.1, pp. pp.26-28., 2005.
M. Porter, Carta del Limbo , Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXXVIII, no. n. 1, pp. pp.65-67, 2008.
M. Porter, Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2021, p. 172.
J. Risum, A woman watching and writing, The Magdalena Newsletter, no. n.11 , p. p.3. , 1993.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
L. Simic, On the Issue of Belonging: Thinking through Networks and Generations, Body Space Technology, vol. 8, no. 1, 2009.
L. Simic and Underwood-Lee, E., Maternal Performance: Feminist Relations. Cham: Palgrave McMillan, 2022, p. XII, 252.
L. Wade Soule, Magdalena 1995: Mothers of Invention, New Theatre Quarterly, vol. 12, no. 45, pp. 85-86, 1996.
L. Sykes, Transit Festival at Odin , New Theatre Quarterly, vol. Vol. IX, no. n. 36 , pp. pp.390-392, 1993.