Bibliography

Found 69 results
[ Author(Asc)] Title Type Year
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
S
L. Sykes, “Transit Festival at Odin ”, New Theatre Quarterly, vol. Vol. IX, no. n. 36 , pp. pp.390-392, 1993.
L. Wade Soule, “Magdalena 1995: Mothers of Invention”, New Theatre Quarterly, vol. 12, no. 45, pp. 85-86, 1996.
L. Simic, “On the Issue of Belonging: Thinking through Networks and Generations”, Body Space Technology, vol. 8, no. 1, 2009.
L. Simic and Underwood-Lee, E., Maternal Performance: Feminist Relations. Cham: Palgrave McMillan, 2022, p. XII, 252.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
R
J. Risum, “A woman watching and writing”, The Magdalena Newsletter, no. n.11 , p. p.3. , 1993.
P
M. Porter, “Carta del Limbo ”, Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXXVIII, no. n. 1, pp. pp.65-67, 2008.
M. Porter, Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2021, p. 172.
C. Peña Pérez, “Julia. Taller impartido por Julia Varley”, Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, no. n.1, pp. pp.26-28., 2005.
I. Pascual, “Cultura de mujeres, mujeres de cultura”, Primer Acto. Cuadernos de investigación teatral, no. n.341, 2011.
I. Pascual, La AMAEM Marias Guerreras. Asociacionismo de mujeres y acción cultural. Por: Itziar Pascual, Universitat Jaume I., vol. 1, 1 vol. Spain: Universitat Jaume I, 2015.
G. Palladini, Dal Magdalena Project al Magfest. Un percorso sul teatro al femminile in Italia. Spoleto: Editoria&Spettacolo, 2012, p. 168.
O
M. Filomena Ottaviani, “Julia Varley”, l’Enciclopedia delle donne, 2021. [Online]. Available: http://www.enciclopediadelledonne.it/biografie/julia-varley/.
N
M. Naspolini, “Uma trama de fios interculturais: considerações sobre o legado do Projeto Magdalena”, DAPesquisa, Centro de Artes Magazine - UDESC, vol. 8, 2011.
M. Naspolini, “Una mirada hacia la Red”, Primer Acto. Cuadernos de investigación teatral, no. n. 341, pp. pp.92-95, 2011.
M. Naspolini, “Teatro feito por mulheres é tema de encontro mundial”, Jornal A Notícia , Florianópolis, 2004.
M. Naspolini, Fronteiras em movimento: modos de criação e organização no Projeto Magdalena - rede internacional de mulheres na cena contemporânea. Dialética, 2021, p. 224.
M
N. Mateo, “Maestras en el Magdalena Project”, Primer Acto. Cuadernos de investigación teatral, no. n. 341, pp. pp.87-91, 2011.
B. Mastrominico, “Bodies:On:Live-Magdalena:On:Line ”, International Journal of Performance Arts and Digital Media , 2022.
B. Mastrominico, “Embodying Essence through Absence: Performance Practice and Pedagogy Through Digital Platforms”, 2022.
B. Mastrominico, “Home-specific Performance and the Digital Staging of the Domestic in Flanker Origami”, International Journal of Performance Arts and Digital Media, 2023.
B. Mastrominico, “Active Spectatorship and Co-creation in the Digital Making of Flanker Origami”, Body, Space and Technology, vol. 22, no. 22, 2023.
N. Mansur, “La odisea de la escritura ”, in Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, no. n.1, 2005.
K
G. Kehoul, “When the Spectator Talks Back: The Development of Practical Wisdom and an ‘ethics of care’ within the Magdalena Talks Back Network”, Conference of the Australasian Association for Drama, Theatre and Performance Studies. Australia, 2008.
J. Karabekir, Türkiye’de Kadınlarla Ezilenlerin Tiyatrosu: Feminist Bir Metodolojiye Doğru. Istanbul: Agora Kitapligi, 2015.

Pages