Bibliography

Encontrados 72 resultados
Autor [ Título(Desc)] Tipo Ano
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
3
J. Greenhalgh, Tran., “3 Suggestions”, The Magdalena Newsletter, no. n. 10, 1993.
A
ACTING & BEING: Explorations in Embodied Performance, First Edition. London: Palgrave Macmillan, 2016, p. 239.
B. Mastrominico, “Active Spectatorship and Co-creation in the Digital Making of Flanker Origami”, Body, Space and Technology, vol. 22, no. 22, 2023.
A. Jakubowska and Deepwell, K., All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.
J. Greenhalgh and Brookes, M., “The Articulate Practitioner: Articulating Practice”. 2007.
B
““Beyond the Network. Towards a rainbow-like theory”in Studia UBB Dramatica, LIX, n. 1, 2014, pp.235-259.”, Studia UBB Dramatica, vol. LIX, n.1 , pp. pp.235-259, 2014.
B. Mastrominico, “Bodies:On:Live-Magdalena:On:Line ”, International Journal of Performance Arts and Digital Media , 2022.
C
F. T. Evans, “A capella”, Tablas. La Revista Cubana de Artes Escénicas , vol. Vol. LXXVIII, no. n.1, 2005.
M. Porter, “Carta del Limbo ”, Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXXVIII, no. n. 1, pp. pp.65-67, 2008.
A. Bandettini, “Cherchez la femme”, Teatro Festival, no. 12, pp. 6-8, 1989.
I. Pascual, “Cultura de mujeres, mujeres de cultura”, Primer Acto. Cuadernos de investigación teatral, no. n.341, 2011.
H. V. Jamieson and Abrahams, A., Trans., CyPosium - the book. Brescia: Link Editions, 2014, p. 171.
D
D. Barnett, Carlin-Metz, E., Cleary, B., Clemons, L., Diamond, D., Greenhalgh, J., Hamilton, D., Kirakosyan, L., Knezević, D., Margraff, R., Medenica, I., Sarno, A., Skelton, A., Stephenson, M., and Womack, S., DAH Theatre: A Sourcebook. Lexington Books, 2016.
G. Palladini, Dal Magdalena Project al Magfest. Un percorso sul teatro al femminile in Italia. Spoleto: Editoria&Spettacolo, 2012, p. 168.
M. Ficara, Donne di teatro e cultura della (r)esistenza: percorsi dai dieci anni di The Open Page. Perugia: Editoria & Spettacolo., 2005.
E
B. Mastrominico, “Embodying Essence through Absence: Performance Practice and Pedagogy Through Digital Platforms”, 2022.
F
M. Naspolini, Fronteiras em movimento: modos de criação e organização no Projeto Magdalena - rede internacional de mulheres na cena contemporânea. Dialética, 2021, p. 224.
G. Adams, Aniksdal, G., Gale, M., and Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
G
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
H
B. Mastrominico, “Home-specific Performance and the Digital Staging of the Domestic in Flanker Origami”, International Journal of Performance Arts and Digital Media, 2023.
I
M. Cameron, I Shudder to Think: performance as philosophy., First., vol. 1, 1 vol. Brisbane/Nerang: Ladyfinger Press, 2016, p. 214.
L. Simic, “On the Issue of Belonging: Thinking through Networks and Generations”, Body Space Technology, vol. 8, no. 1, 2009.
J
C. Peña Pérez, “Julia. Taller impartido por Julia Varley”, Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, no. n.1, pp. pp.26-28., 2005.
M. Filomena Ottaviani, “Julia Varley”, l’Enciclopedia delle donne, 2021. [Online]. Available: http://www.enciclopediadelledonne.it/biografie/julia-varley/.
L
I. Pascual, La AMAEM Marias Guerreras. Asociacionismo de mujeres y acción cultural. Por: Itziar Pascual, Universitat Jaume I., vol. 1, 1 vol. Spain: Universitat Jaume I, 2015.

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