Bibliography

Encontrados 72 resultados
Autor Título Tipo [ Ano(Asc)]
2023
B. Mastrominico, “Active Spectatorship and Co-creation in the Digital Making of Flanker Origami”, Body, Space and Technology, vol. 22, no. 22, 2023.
B. Mastrominico, “Home-specific Performance and the Digital Staging of the Domestic in Flanker Origami”, International Journal of Performance Arts and Digital Media, 2023.
G. Aniksdal, “Looking onto the Boulder”, Contemporary Theatre Review, vol. 32, no. 3-4, pp. 342-346, 2023.
V. Bovino and Bastidas, G. Acosta, “Mujeres, Madre tierra y Sanación: palabras desde un jardín secreto llamado Proyecto Magdalena”, Conjunto, vol. 9, no. 208-209, pp. 8-10, 2023.
2022
B. Mastrominico, “Bodies:On:Live-Magdalena:On:Line ”, International Journal of Performance Arts and Digital Media , 2022.
B. Mastrominico, “Embodying Essence through Absence: Performance Practice and Pedagogy Through Digital Platforms”, 2022.
L. Simic and Underwood-Lee, E., Maternal Performance: Feminist Relations. Cham: Palgrave McMillan, 2022, p. XII, 252.
Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2022.
B. Luci Carvalho, Varley, J., and Czertok, N., “Women Performing Europe - The Magdalena Project Across Borders”, 2022.
2021
M. Naspolini, Fronteiras em movimento: modos de criação e organização no Projeto Magdalena - rede internacional de mulheres na cena contemporânea. Dialética, 2021, p. 224.
M. Filomena Ottaviani, “Julia Varley”, l’Enciclopedia delle donne, 2021. [Online]. Available: http://www.enciclopediadelledonne.it/biografie/julia-varley/.
M. Porter, Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2021, p. 172.
2019
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
C. Jacobson, “Magdalena Aotearoa 1997 – ”, Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
G. Adams, Aniksdal, G., Gale, M. B., and Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
M. B. Gale and Dorney, K., Stage women, 1900-50: Female theatre workers and professional practice. Manchester: Manchester University Press, 2019, p. 328.
2018
A. Jakubowska and Deepwell, K., All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.
R. L. Goldberg, Performance Now. USA: Thames & Hudson, 2018, p. 256.
C. Castrillo, Rastros – el mapa de un oficio . Madrid, España: Libreria Yorick, 2018.
V. Featherstone, Snatches: Moments from 100 Years of Women's Lives. Nick Hern Books, 2018, p. 112.
G. Christou, De Angelis, A., Fordham, C. Todd, Lewenstein, R., Pinnock, W., Ridings, S., Siân, J., Wertenbaker, T., and Parrish, S., Women Centre Stage: Eight Short Plays By and About Women. Nick Hern Books, 2018, p. 152.
2017
G. Adams, Aniksdal, G., Gale, M., and Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
V. Ann Cremona, Galli, F., and Varley, J., THINKING WITH THE FEET / PENSARE CON I PIEDI. Holstebro: Odin Teatret, 2017.

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