This article is my personal journey into DaDa (/ˈdɑːdɑː/), 20th century avant-garde movement developed in reaction to WW I. Dadaists rejected the logic and aestheticism of capitalist society and maintained political affinities with the radical left.
Yo solía ser perfeccionista. Eso no significa que todo mi trabajo creativo se acercara al nivel de perfección que yo misma me exigía, sino que bloqueaba muchas ideas creativas y espontáneas por el miedo a equivocarme, a no dar la talla.
I used to be a perfectionist. That didn´t mean that my creative work was near the level of perfection that I was demanding myself, but it meant that I blocked many creative and spontaneous ideas for fear of being wrong and not having a good standard.
Yo solía ser perfeccionista. Eso no significa que todo mi trabajo creativo se acercara al nivel de perfección que yo misma me exigía, sino que bloqueaba muchas ideas creativas y espontáneas por el miedo a equivocarme, a no dar la talla.
I write to you from the Paris airport; I'm going to Spain, to receive the Jesús Domínguez writing prize, which they will give us for the play "Moje holka, moje holka" (My girl, my girl), written in collaboration with Itziar Pascual and dedicated to the Magdalena Project.
Les escribo desde el aeropuerto de Paris, voy rumbo a España, a recibir el Premio de Textos Teatrales Jesús Domínguez, que nos han dado por la obra “Moje holka, moje holka” (Mi niña, niña mía), escrita en colaboración con Itziar Pascual y dedicada al Magdalena Project.
Every Magdalena festival has its own unique character, determined by the people organising it and its location. The Tantidhatri festival(link is external), held first in 2012 in Pondicherry and Auroville, and this year in Bengaluru, is no exception; it floats in a magical bubble of scents, colours and joy that is gently cradled by each of the many smiling volunteers.
Queridas Magdalenas:
