Bibliography

Found 68 results
Author Title Type [ Year(Desc)]
2018
C. Castrillo, Rastros – el mapa de un oficio . Madrid, España: Libreria Yorick, 2018.
V. Featherstone, Snatches: Moments from 100 Years of Women's Lives. Nick Hern Books, 2018, p. 112.
G. Christou, De Angelis, A., Fordham, C. Todd, Lewenstein, R., Pinnock, W., Ridings, S., Siân, J., Wertenbaker, T., and Parrish, S., Women Centre Stage: Eight Short Plays By and About Women. Nick Hern Books, 2018, p. 152.
2019
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
C. Jacobson, “Magdalena Aotearoa 1997 – ”, Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
G. Adams, Aniksdal, G., Gale, M. B., and Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
M. B. Gale and Dorney, K., Stage women, 1900-50: Female theatre workers and professional practice. Manchester: Manchester University Press, 2019, p. 328.
2021
M. Naspolini, Fronteiras em movimento: modos de criação e organização no Projeto Magdalena - rede internacional de mulheres na cena contemporânea. Dialética, 2021, p. 224.
M. Filomena Ottaviani, “Julia Varley”, l’Enciclopedia delle donne, 2021. [Online]. Available: http://www.enciclopediadelledonne.it/biografie/julia-varley/.
M. Porter, Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2021, p. 172.
2022
B. Mastrominico, “Bodies:On:Live-Magdalena:On:Line ”, International Journal of Performance Arts and Digital Media , 2022.
B. Mastrominico, “Embodying Essence through Absence: Performance Practice and Pedagogy Through Digital Platforms”, 2022.
L. Simic and Underwood-Lee, E., Maternal Performance: Feminist Relations. Cham: Palgrave McMillan, 2022, p. XII, 252.
Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2022.
2023
B. Mastrominico, “Active Spectatorship and Co-creation in the Digital Making of Flanker Origami”, Body, Space and Technology, vol. 22, no. 22, 2023.
G. Aniksdal, “Looking onto the Boulder”, Contemporary Theatre Review, vol. 32, no. 3-4, pp. 342-346, 2023.

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