With Pierre-François Blanchard (piano), Didier Monge (polyphonics), Nahuel Bustamante (guitar, cajon, flute) and other collaborators.
Exploration of vocal expressivity and extended registers in singing, acting and choreographic theater.
The notion of voice performance is based on two principles: technical finesse and expressive risk.
Much more a matter of personality, quality of listening and open-mindedness than of technical know-how (musical, theatrical, dance).
Highlight on personal genius - musicality and character - as well as on he pertinence (or impertinence) of what one has to voice, be it through speech, song, scream, or their synthesis (or counterpoint) in a choreographic theater.