Bibliography

Encontrados 72 resultados
Autor [ Título(Asc)] Tipo Ano
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
I
L. Simic, “On the Issue of Belonging: Thinking through Networks and Generations”, Body Space Technology, vol. 8, no. 1, 2009.
M. Cameron, I Shudder to Think: performance as philosophy., First., vol. 1, 1 vol. Brisbane/Nerang: Ladyfinger Press, 2016, p. 214.
H
B. Mastrominico, “Home-specific Performance and the Digital Staging of the Domestic in Flanker Origami”, International Journal of Performance Arts and Digital Media, 2023.
G
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
F
G. Adams, Aniksdal, G., Gale, M., and Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
M. Naspolini, Fronteiras em movimento: modos de criação e organização no Projeto Magdalena - rede internacional de mulheres na cena contemporânea. Dialética, 2021, p. 224.
E
B. Mastrominico, “Embodying Essence through Absence: Performance Practice and Pedagogy Through Digital Platforms”, 2022.
D
M. Ficara, Donne di teatro e cultura della (r)esistenza: percorsi dai dieci anni di The Open Page. Perugia: Editoria & Spettacolo., 2005.
G. Palladini, Dal Magdalena Project al Magfest. Un percorso sul teatro al femminile in Italia. Spoleto: Editoria&Spettacolo, 2012, p. 168.
D. Barnett, Carlin-Metz, E., Cleary, B., Clemons, L., Diamond, D., Greenhalgh, J., Hamilton, D., Kirakosyan, L., Knezević, D., Margraff, R., Medenica, I., Sarno, A., Skelton, A., Stephenson, M., and Womack, S., DAH Theatre: A Sourcebook. Lexington Books, 2016.
C
H. V. Jamieson and Abrahams, A., Trans., CyPosium - the book. Brescia: Link Editions, 2014, p. 171.
I. Pascual, “Cultura de mujeres, mujeres de cultura”, Primer Acto. Cuadernos de investigación teatral, no. n.341, 2011.
A. Bandettini, “Cherchez la femme”, Teatro Festival, no. 12, pp. 6-8, 1989.
M. Porter, “Carta del Limbo ”, Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXXVIII, no. n. 1, pp. pp.65-67, 2008.
F. T. Evans, “A capella”, Tablas. La Revista Cubana de Artes Escénicas , vol. Vol. LXXVIII, no. n.1, 2005.
B
B. Mastrominico, “Bodies:On:Live-Magdalena:On:Line ”, International Journal of Performance Arts and Digital Media , 2022.
““Beyond the Network. Towards a rainbow-like theory”in Studia UBB Dramatica, LIX, n. 1, 2014, pp.235-259.”, Studia UBB Dramatica, vol. LIX, n.1 , pp. pp.235-259, 2014.
A
J. Greenhalgh and Brookes, M., “The Articulate Practitioner: Articulating Practice”. 2007.
A. Jakubowska and Deepwell, K., All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.
B. Mastrominico, “Active Spectatorship and Co-creation in the Digital Making of Flanker Origami”, Body, Space and Technology, vol. 22, no. 22, 2023.
ACTING & BEING: Explorations in Embodied Performance, First Edition. London: Palgrave Macmillan, 2016, p. 239.
3
J. Greenhalgh, Tran., “3 Suggestions”, The Magdalena Newsletter, no. n. 10, 1993.

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