Atriz, palhaça, produtora, diretora e gestora cultural residente em Curitiba Brasil. Especializou-se em Teatro de Mascara na Cia do Ator Cômico de 2004/2010. Especializou-se em palhaçaria em Lisboa com Operação Nariz Vermelho em 2010, em Barcelona na Calclown- Escola de Palhaços de Barcelona e com Philiper Gaulier 2011 ;Pais Basco no Laboratório YINDEYAN com Pablo Ibarluzea 2012/2013; e no Canadá com Sue Morrison no The Theatre Resource Centre em 2015 .

I am a theatre maker, a strategist and builder of bridges, always trying to think ‘outside the box’. Officially, I am also director of ZID Theater – City Art & Performance Center, which stands for theatre with, for and by inspired people. It also represents realising, time and again, a dialogue between people who normally would not engage in such a dialogue. It has often been said that ZID is actually creating a utopian society, and perhaps this is true.

Theatre Director Designer and Creative Producer

I am a playwright interested in working collaboratively and/or solo. I am currently doing my PhD in Creative Writing at the University of Queensland and am reading and responding to a play a day for a year on my blog, 365 Plays (http://365plays.wordpress.com/).

I am a founding members of The Duck House in Perth, WA. We are a contemporary theatre ensemble working collaboratively to make new work.

I was part of the Magdalena Perth committee and helped organise a Magdalena Perth Workshop Festival in February 2010 and attended Magdalena@25 in Wales.

I am a NY theater publicist who supports works by Women!

I'm a director, writer, self-producing artist,from Liechtenstein, having begun my professional career as Opera director in Germany. Now I'm based in New York working both in Europe and the US, opera and straight theatre. I'm bilingual German-English and also speak Italian and French.

I am an actress, storyteller, singer, composer and director. I founded Teater Viva in 2007 and tour with performances and concerts internationally. The language of my theatre is coming from sources like the possibilities in the human voice, the life of the body, the universal sound of the music and the life in human expressions as humor and tragedy.

Atriz, encenadora e professora de teatro brasileira, interessada em práticas teatrais colaborativas a partir da partilha de memórias.

DarahRouge is a collective of artists with different backgrounds ranging in theatre, performance art, photography, philosophy, visual art, playwrighting, marching band, traditional theatre and documentary making amongst others all linked by a love of theatre and performance and the desire to use this arsenal of artforms to create new theatre. The group started in 2011 after meeting on the 2010 production of Marat/Sade . We create work via a process of research and discussion with the aim of being stimulated both intellectually and emotionally in the work we engage in.

Kim Yaged is an award-winning playwright and photographer with extensive experience in film and television. She was a recipient of the Kennedy Center’s Meritorious Achievement Award and a co-recipient of a grant from ArtServe, the State of Michigan Council for the Arts. Her chamber opera www.love was showcased by the New York City Opera, and her play vessels was commissioned for the Los Angeles Museum of the Holocaust in conjunction with an exhibit by the United States Holocaust Memorial Museum.

I am an assistant professor of acting and directing at a small private liberal arts college. I am also an actor, director, mother, feminist, anti-rape activist/educator, good friend, and lover of people.

I am involved with
http://www.aurovillefilmfestival.org
http://magzav.wordpress.com
http://taichiinnerwayschool.org
http://www.padminichettur.com

playwright

I am a 23-year-old theater enthusiast. I grew up in the northeast of Brazil practicing street theater, forum theater, political theater and all forms and shapes of theater concerned with inspiring dialogues of social justice. I came to the U.S in 2008 to study at the University of Michigan where I collectively developed and implemented an outreach program called theater, racism and our language :dialogues and diversions. This project was inspired by theories of radical education and theater for social change. Our theoretical foundation came from Augusto Boal and Paulo Freire's work.

I am an Indian theatre practitioner based in Himalayan state of Uttarakhand. My training includes traditional Indian classical dance - Bharatnatyam, a martial art folk form Chhau, Butoh, Yoga and attended Trinity Laban conservatoire in the United Kingdom. After coming back to India I worked extensively in Mumbai for many years creating productions and post pandemic life changed. I came back my roots in to a remote place in Himalayas, started taking theatre workshops with people of all age groups.

Academic theatre-scientist, founder & co-ordinator of "Utopia 93" (a multi-national, multi-discioplinary art project), author of books & studies on Theatre Arts in the Arab World, Co-opeted for many years, to the executive committee of International Organisation of Theatre Critics as 'Third World Consultant'. Special interest:Performance Studies & experimental theatre-arts.

I am a performance storyteller, theatre writer and poet.

I am a Philosophy graduate student writing my PhD on the work of Luce Irigaray. I have an undergraduate degree in Theatre and Performance studies from the University of Queensland. I am beginning to think through ways in which philosophy and performance can work together for social change.