Bibliography

Found 72 results
Author Title [ Type(Asc)] Year
Book
L. V. Sander, Shakespeare's Women (Recycled) / As Mulheres de Shakespeare (recicladas). Registered at the Nacional Library, Brazil, on 29/4/2019, 2019.
G. Adams, Aniksdal, G., Gale, M. B., et Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.
Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2022.
M. Porter, Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2021, p. 172.
C. Castrillo, Rastros – el mapa de un oficio . Madrid, España: Libreria Yorick, 2018.
A. Dimitrakaki, Peraica, A., Orel, B., Kukovec, D., and DeLVe, G. S., Ratkovic, M., Grzinic, M., Pachmanová, M., Babic, M., Milevska, S., Hvala, T., et Tatarczuk, W., Performative Gestures Political Moves. Ljubljana: The City of Women, Ljubljana and Red Athena University Press, 2014.
R. L. Goldberg, Performance Now. USA: Thames & Hudson, 2018, p. 256.
L. Simic et Underwood-Lee, E., Maternal Performance: Feminist Relations. Cham: Palgrave McMillan, 2022, p. XII, 252.
S. Bassnett, Magdalena: International Women's Experimental Theatre. Oxford - New York - Munich: Berg Publishers, 1989.
S. Bassnett, Magdalena: international women's experimental theatre. Oxford: Berg, 1992.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
I. Pascual, La AMAEM Marias Guerreras. Asociacionismo de mujeres y acción cultural. Por: Itziar Pascual, Universitat Jaume I., vol. 1, 1 vol. Spain: Universitat Jaume I, 2015.
M. Cameron, I Shudder to Think: performance as philosophy., First., vol. 1, 1 vol. Brisbane/Nerang: Ladyfinger Press, 2016, p. 214.
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
G. Adams, Aniksdal, G., Gale, M., et Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
M. Naspolini, Fronteiras em movimento: modos de criação e organização no Projeto Magdalena - rede internacional de mulheres na cena contemporânea. Dialética, 2021, p. 224.
M. Ficara, Donne di teatro e cultura della (r)esistenza: percorsi dai dieci anni di The Open Page. Perugia: Editoria & Spettacolo., 2005.
G. Palladini, Dal Magdalena Project al Magfest. Un percorso sul teatro al femminile in Italia. Spoleto: Editoria&Spettacolo, 2012, p. 168.
D. Barnett, Carlin-Metz, E., Cleary, B., Clemons, L., Diamond, D., Greenhalgh, J., Hamilton, D., Kirakosyan, L., Knezević, D., Margraff, R., Medenica, I., Sarno, A., Skelton, A., Stephenson, M., et Womack, S., DAH Theatre: A Sourcebook. Lexington Books, 2016.
H. V. Jamieson et Abrahams, A., Trad., CyPosium - the book. Brescia: Link Editions, 2014, p. 171.
A. Jakubowska et Deepwell, K., All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.
ACTING & BEING: Explorations in Embodied Performance, First Edition. London: Palgrave Macmillan, 2016, p. 239.

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