Bibliography
Performative Gestures Political Moves. Ljubljana: The City of Women, Ljubljana and Red Athena University Press, 2014.
, « A capella », Tablas. La Revista Cubana de Artes Escénicas , vol. Vol. LXXVIII, nᵒ n.1, 2005.
, Snatches: Moments from 100 Years of Women's Lives. Nick Hern Books, 2018, p. 112.
, Donne di teatro e cultura della (r)esistenza: percorsi dai dieci anni di The Open Page. Perugia: Editoria & Spettacolo., 2005.
, The Way of Magdalena. Holstebro: Open Page Publications, 2007.
, The Way of Magdalena. Holstebro: Odin Teatrets Forlag/ Open Page Pubblications. , 2007.
, Stage women, 1900-50: Female theatre workers and professional practice. Manchester: Manchester University Press, 2019, p. 328.
, Performance Now. USA: Thames & Hudson, 2018, p. 256.
, Lola Arias: Re-enacting life. Performance Research Books, 2019.
, « A Veritable Feast: An ‘inVisible’ Agenda », 2013. [Online]. Available: http://womeninperformance.com/2013/11/03/a-veritable-feast-an-invisible-agenda/.
, « 3 Suggestions », The Magdalena Newsletter, nᵒ n. 10, 1993.
, , « Magdalena@25: Articulating the Magdalena Project – Past, Present and Future », Contemporary Theatre Review, vol. 23, nᵒ 2, 2013.
, « Magdalena - a polemic, a festival », Performance Magazine, nᵒ 42, 1986.
, « Magdalena Aotearoa 1997 – », Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
, All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.
, CyPosium - the book. Brescia: Link Editions, 2014, p. 171.
, « We collaborate [t]here: processes of networked collaboration », in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.
, « La plateforme UpStage, la cyberformance et l'assistance (intermédiale) », in Théâtre et intermédialité, Lille: Presses Universitaires du Septentrion, 2015, p. 355-381.
, Türkiye’de Kadınlarla Ezilenlerin Tiyatrosu: Feminist Bir Metodolojiye Doğru. Istanbul: Agora Kitapligi, 2015.
, « When the Spectator Talks Back: The Development of Practical Wisdom and an ‘ethics of care’ within the Magdalena Talks Back Network », Conference of the Australasian Association for Drama, Theatre and Performance Studies. Australia, 2008.
, « La odisea de la escritura », in Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, nᵒ n.1, 2005.
, « Bodies:On:Live-Magdalena:On:Line », International Journal of Performance Arts and Digital Media , 2022.
, « Embodying Essence through Absence: Performance Practice and Pedagogy Through Digital Platforms », 2022.
, « Home-specific Performance and the Digital Staging of the Domestic in Flanker Origami », International Journal of Performance Arts and Digital Media, 2023.
,