Bibliography

Se encontraron 69 resultados
[ Autor(Asc)] Título Tipo Año
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
J
H. V. Jamieson y Abrahams, A., Trads., CyPosium - the book. Brescia: Link Editions, 2014, p. 171.
H. V. Jamieson, «We collaborate [t]here: processes of networked collaboration», in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.
H. V. Jamieson, «La plateforme UpStage, la cyberformance et l'assistance (intermédiale)», in Théâtre et intermédialité, J. - M. Larrue, Ed. Lille: Presses Universitaires du Septentrion, 2015, pp. 355-381.
A. Jakubowska y Deepwell, K., All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.
C. Jacobson, «Magdalena Aotearoa 1997 – », Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
G
J. Greenhalgh, Trad., «3 Suggestions», The Magdalena Newsletter, n.º n. 10, 1993.
J. Greenhalgh y Brookes, M., «The Articulate Practitioner: Articulating Practice». 2007.
J. Greenhalgh y Gale, M. B., «Magdalena@25: Articulating the Magdalena Project – Past, Present and Future», Contemporary Theatre Review, vol. 23, n.º 2, 2013.
J. Greenhalgh, «Magdalena - a polemic, a festival», Performance Magazine, n.º 42, 1986.
M. Grant-Iramu, «A Veritable Feast: An ‘inVisible’ Agenda», 2013. [Online]. Available: http://womeninperformance.com/2013/11/03/a-veritable-feast-an-invisible-agenda/.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
R. L. Goldberg, Performance Now. USA: Thames & Hudson, 2018, p. 256.
M. B. Gale y Dorney, K., Stage women, 1900-50: Female theatre workers and professional practice. Manchester: Manchester University Press, 2019, p. 328.
F
C. Fry, The Way of Magdalena. Holstebro: Open Page Publications, 2007.
C. Fry, The Way of Magdalena. Holstebro: Odin Teatrets Forlag/ Open Page Pubblications. , 2007.
M. Ficara, Donne di teatro e cultura della (r)esistenza: percorsi dai dieci anni di The Open Page. Perugia: Editoria & Spettacolo., 2005.
V. Featherstone, Snatches: Moments from 100 Years of Women's Lives. Nick Hern Books, 2018, p. 112.
E
F. T. Evans, «A capella», Tablas. La Revista Cubana de Artes Escénicas , vol. Vol. LXXVIII, n.º n.1, 2005.
D
A. Dimitrakaki, Peraica, A., Orel, B., Kukovec, D., and DeLVe, G. S., Ratkovic, M., Grzinic, M., Pachmanová, M., Babic, M., Milevska, S., Hvala, T., y Tatarczuk, W., Performative Gestures Political Moves. Ljubljana: The City of Women, Ljubljana and Red Athena University Press, 2014.
S. D'Agostino, «Un'isola chiamata Magdalena», Leggendaria, vol. 92, 2012.
S. D'Agostino, «Per gemmazione carsica: The Magdalena Project a Cardiff», ateatro, vol. 135, n.º 90, 2011.
S. D'Agostino, On Tiptoe a Santa Clara. Rome: Bulzoni Editore, 2010, p. 170.
S. D'Agostino, «On tiptoe en Santa Clara», Tablas. La Revista Cubana de Artes Escénicas, vol. LXXXVIII, n.º n.1, 2008.
C
V. Ann Cremona, Galli, F., y Varley, J., THINKING WITH THE FEET / PENSARE CON I PIEDI. Holstebro: Odin Teatret, 2017.
L. Corcuera, «Otra Genealogía del Teatro», Artes Escénicas, vol. 159, 2011.

Páginas