Bibliography

Se encontraron 72 resultados
Autor Título Tipo [ Año(Desc)]
2011
L. Corcuera, «Otra Genealogía del Teatro», Artes Escénicas, vol. 159, 2011.
S. D'Agostino, «Per gemmazione carsica: The Magdalena Project a Cardiff», ateatro, vol. 135, n.º 90, 2011.
G. Adams, Aniksdal, G., Greenhalgh, J., y Varley, J., TheMagdalenaProject@25 - Legacy and Challenge. Holstebro: The Open Page Publications, 2011.
M. Naspolini, «Uma trama de fios interculturais: considerações sobre o legado do Projeto Magdalena», DAPesquisa, Centro de Artes Magazine - UDESC, vol. 8, 2011.
M. Naspolini, «Una mirada hacia la Red», Primer Acto. Cuadernos de investigación teatral, n.º n. 341, pp. pp.92-95, 2011.
2012
G. Palladini, Dal Magdalena Project al Magfest. Un percorso sul teatro al femminile in Italia. Spoleto: Editoria&Spettacolo, 2012, p. 168.
C. Ciccarelli, «Sguardo all'interno sul Magfest/ Corpo – Parola – Potere», Culture Teatrali , 2012. [Online]. Available: http://www.cultureteatrali.org.
S. D'Agostino, «Un'isola chiamata Magdalena», Leggendaria, vol. 92, 2012.
2013
J. Greenhalgh y Gale, M. B., «Magdalena@25: Articulating the Magdalena Project – Past, Present and Future», Contemporary Theatre Review, vol. 23, n.º 2, 2013.
M. Grant-Iramu, «A Veritable Feast: An ‘inVisible’ Agenda», 2013. [Online]. Available: http://womeninperformance.com/2013/11/03/a-veritable-feast-an-invisible-agenda/.
2014
«“Beyond the Network. Towards a rainbow-like theory”in Studia UBB Dramatica, LIX, n. 1, 2014, pp.235-259.», Studia UBB Dramatica, vol. LIX, n.1 , pp. pp.235-259, 2014.
H. V. Jamieson y Abrahams, A., Trads., CyPosium - the book. Brescia: Link Editions, 2014, p. 171.
A. Dimitrakaki, Peraica, A., Orel, B., Kukovec, D., and DeLVe, G. S., Ratkovic, M., Grzinic, M., Pachmanová, M., Babic, M., Milevska, S., Hvala, T., y Tatarczuk, W., Performative Gestures Political Moves. Ljubljana: The City of Women, Ljubljana and Red Athena University Press, 2014.
2015
I. Pascual, La AMAEM Marias Guerreras. Asociacionismo de mujeres y acción cultural. Por: Itziar Pascual, Universitat Jaume I., vol. 1, 1 vol. Spain: Universitat Jaume I, 2015.
H. V. Jamieson, «La plateforme UpStage, la cyberformance et l'assistance (intermédiale)», in Théâtre et intermédialité, J. - M. Larrue, Ed. Lille: Presses Universitaires du Septentrion, 2015, pp. 355-381.
C. Castrillo, Tracce – le mappe di un mestiere. Lugano: Edizioni Ulivo, 2015.
J. Karabekir, Türkiye’de Kadınlarla Ezilenlerin Tiyatrosu: Feminist Bir Metodolojiye Doğru. Istanbul: Agora Kitapligi, 2015.
2016
ACTING & BEING: Explorations in Embodied Performance, First Edition. London: Palgrave Macmillan, 2016, p. 239.
D. Barnett, Carlin-Metz, E., Cleary, B., Clemons, L., Diamond, D., Greenhalgh, J., Hamilton, D., Kirakosyan, L., Knezević, D., Margraff, R., Medenica, I., Sarno, A., Skelton, A., Stephenson, M., y Womack, S., DAH Theatre: A Sourcebook. Lexington Books, 2016.
M. Cameron, I Shudder to Think: performance as philosophy., First., vol. 1, 1 vol. Brisbane/Nerang: Ladyfinger Press, 2016, p. 214.
P. Baul y Ramanathaiyer, S., Tantidhatri One. Trivandrum, India: Ekathara Kalari, 2016, p. 108.
2017
G. Adams, Aniksdal, G., Gale, M., y Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
V. Ann Cremona, Galli, F., y Varley, J., THINKING WITH THE FEET / PENSARE CON I PIEDI. Holstebro: Odin Teatret, 2017.
H. V. Jamieson, «We collaborate [t]here: processes of networked collaboration», in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.
2018
A. Jakubowska y Deepwell, K., All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.

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