INTERNATIONAL SCHOOL FOR ACTORS, DANCERS AND DIRECTORS
AN INTENSIVE PRACTICAL STUDY PROGRAM EXCLUSIVELY THIS YEAR IN RIO DE JANEIRO
THE INTERNATIONAL SCHOOL
FOR ACTORS, DANCERS AND DIRECTORS
AN INTENSIVE PRACTICAL STUDY PROGRAM
EXCLUSIVELY THIS YEAR IN RIO DE JANEIRO
WHEN: 10 – 23 of July 2017
WHERE: ESPAÇO SEQUENCIA, RIO DE JANEIRO / BRAZIL
Every year, internationally recognized DAH Theatre Research Centre offers an intensive two/three-weeks program of events and practical workshops designed for both actors and directors using contemporary theatre techniques. The INTERNATIONAL SCHOOL FOR ACTORS AND DIRECTORS ( INTERNATIONAL INSTITUTE) , founded in 2001 is now running in its 15th season.
DAH Theatre, one of the groups with whom Eugenio Barba shared his LUIGI PIRANDELLO INTERNATIONAL PRIZE 1997, recipient of OTTO RENE CASTILLO Award (USA) and ERSTE Foundation Award for Social Integration (EU), this year organize the INTERNATIONAL SCHHOL in Rio de Janeiro in collaboration with SEQUÊNCIA Filmes, Músicas e Cênicas.
An approach where directors, actors and dancers indulge in creative process of physical and vocal training, creating material, and experience how to create a performance using the contemporary methods of montage.
THE FOCUS OF THE WORK THIS TIME WILL BE ON DIFFERENT ASPECTS OF THE ACTOR- DIRECTOR PROCESS, INCLUDING DIRECTOR’S MONTAGE AND ACTOR’S PROCESS OF CREATING HIS/HER OWN DRAMATURGY IN THE CONTEXT OF THE FINAL MONTAGE OF THE PERFORMANCE.
During these two weeks at the School, the students will be working with 2 directors that marked history of DAH Theatre and now live and work on different continents. Director and co-founder of DAH Theatre, Dijana Milosevic accompanied by an actress of DAH Theatre, Ivana Milenovic Popovic as assistant and demonstrator and Jadranka Andjelic, other co-founder of DAH and theatre director who lives and works in Brazil – Rio de Janeiro from 2008.
The INTERNATIONAL SCHOOL will take place in the ESPAÇO SEQUÊNCIA, the base of the Sequência Filmes, Músicas e Cênicas with its artistic production and program of the workshops, residences, lectures, encounters and festivals. A cultural space that occupies the charming house from 1938, in old neighborhood of Rio de Janeiro. With the theatre room, dressing room, kitchen, courtyard and other facilities, it is ideal place to host an international program and enables whole day intensive work and study.
Beside the practical study program the INTERNATIONAL SCHOOL offers the meetings and exchange with a local artists and immersion into the Rio de Janeiro’s history and cultural life today.
DURATION: 80 hours
The work of the Institute consists of:
Practical work with directors
Final presentation with participants of the institute
Encounters with local artists
Weekend City Tour
9:00 – 17:00 Monday–Friday
Saturday: City Tour
ESPAÇO SEQUÊNCIA is located in Rio Comprido, just below the famous Santa Tereza, near the Christ Statue /Corcovado, very well connected to the historical Centre as well as cultural and touristic attractions: Lake Rodrigo Freitas, Botanical Garden, Copacabana, Ipanema e Leblon. Rio de Janeiro, with its rich history, mix of incredible nature and pleasant climate in July is an exciting city with many cultural events and a unique place that every day inspires and provokes creation.
The Institute spoken languages are English and Portuguese.
You all gave enormously and patiently of yourselves, your time, your passion and your art. You have re-inspired me with a model of life and work – of the possibilities if one works hard and fights when needed. You have helped me to believe the power of my imagination and my dreams. –Electa Behrens (USA)
I know you through your work and that is what has drawn me to want to work with you. The Helen Keller work made a profound impression on me. You do profound work. I have received it gratefully. I admire and respect the work – and thus you. –Gail George (USA)
Dennis Barnett has assembled a most informed and engaging sourcebook on DAH Theatre, one of the world’s definitive companies working in social conflict contexts. A work of great breadth that offers a meaningful and enjoying read to the historian, the scholar and the practitioner, while ultimately managing to paint the rich portrait of a living theater and of the people and societal circumstances that breathe life into it. This is a necessary and revelatory book. –Roberto Gutiérrez Varea, University of San Francisco