Bibliography

Found 72 results
Author [ Title(Asc)] Type Year
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
I
L. Simic, « On the Issue of Belonging: Thinking through Networks and Generations », Body Space Technology, vol. 8, nᵒ 1, 2009.
M. Cameron, I Shudder to Think: performance as philosophy., First., vol. 1, 1 vol. Brisbane/Nerang: Ladyfinger Press, 2016, p. 214.
H
B. Mastrominico, « Home-specific Performance and the Digital Staging of the Domestic in Flanker Origami », International Journal of Performance Arts and Digital Media, 2023.
G
C. Contin Arlecchino, Gli abitanti di Arlecchinia (The inhabitants of Arlecchinia). Campanotto, 2019.
F
G. Adams, Aniksdal, G., Gale, M., et Varley, J., Future Conditional - Notes for Tomorrow. Holstebro: The Open Page Publications, 2017.
M. Naspolini, Fronteiras em movimento: modos de criação e organização no Projeto Magdalena - rede internacional de mulheres na cena contemporânea. Dialética, 2021, p. 224.
E
B. Mastrominico, « Embodying Essence through Absence: Performance Practice and Pedagogy Through Digital Platforms », 2022.
D
M. Ficara, Donne di teatro e cultura della (r)esistenza: percorsi dai dieci anni di The Open Page. Perugia: Editoria & Spettacolo., 2005.
G. Palladini, Dal Magdalena Project al Magfest. Un percorso sul teatro al femminile in Italia. Spoleto: Editoria&Spettacolo, 2012, p. 168.
D. Barnett, Carlin-Metz, E., Cleary, B., Clemons, L., Diamond, D., Greenhalgh, J., Hamilton, D., Kirakosyan, L., Knezević, D., Margraff, R., Medenica, I., Sarno, A., Skelton, A., Stephenson, M., et Womack, S., DAH Theatre: A Sourcebook. Lexington Books, 2016.
C
H. V. Jamieson et Abrahams, A., Trad., CyPosium - the book. Brescia: Link Editions, 2014, p. 171.
I. Pascual, « Cultura de mujeres, mujeres de cultura », Primer Acto. Cuadernos de investigación teatral, nᵒ n.341, 2011.
A. Bandettini, « Cherchez la femme », Teatro Festival, nᵒ 12, p. 6-8, 1989.
M. Porter, « Carta del Limbo  », Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXXVIII, nᵒ n. 1, p. pp.65-67, 2008.
F. T. Evans, « A capella », Tablas. La Revista Cubana de Artes Escénicas , vol. Vol. LXXVIII, nᵒ n.1, 2005.
B
B. Mastrominico, « Bodies:On:Live-Magdalena:On:Line  », International Journal of Performance Arts and Digital Media , 2022.
« “Beyond the Network. Towards a rainbow-like theory”in Studia UBB Dramatica, LIX, n. 1, 2014, pp.235-259. », Studia UBB Dramatica, vol. LIX, n.1 , p. pp.235-259, 2014.
A
J. Greenhalgh et Brookes, M., « The Articulate Practitioner: Articulating Practice ». 2007.
A. Jakubowska et Deepwell, K., All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.
B. Mastrominico, « Active Spectatorship and Co-creation in the Digital Making of Flanker Origami », Body, Space and Technology, vol. 22, nᵒ 22, 2023.
ACTING & BEING: Explorations in Embodied Performance, First Edition. London: Palgrave Macmillan, 2016, p. 239.
3
J. Greenhalgh, Trad., « 3 Suggestions », The Magdalena Newsletter, nᵒ n. 10, 1993.

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