Bibliography

Found 69 results
[ Author(Desc)] Title Type Year
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
D
A. Dimitrakaki, Peraica, A., Orel, B., Kukovec, D., and DeLVe, G. S., Ratkovic, M., Grzinic, M., Pachmanová, M., Babic, M., Milevska, S., Hvala, T., et Tatarczuk, W., Performative Gestures Political Moves. Ljubljana: The City of Women, Ljubljana and Red Athena University Press, 2014.
E
F. T. Evans, « A capella », Tablas. La Revista Cubana de Artes Escénicas , vol. Vol. LXXVIII, nᵒ n.1, 2005.
F
V. Featherstone, Snatches: Moments from 100 Years of Women's Lives. Nick Hern Books, 2018, p. 112.
M. Ficara, Donne di teatro e cultura della (r)esistenza: percorsi dai dieci anni di The Open Page. Perugia: Editoria & Spettacolo., 2005.
C. Fry, The Way of Magdalena. Holstebro: Open Page Publications, 2007.
C. Fry, The Way of Magdalena. Holstebro: Odin Teatrets Forlag/ Open Page Pubblications. , 2007.
G
M. B. Gale et Dorney, K., Stage women, 1900-50: Female theatre workers and professional practice. Manchester: Manchester University Press, 2019, p. 328.
R. L. Goldberg, Performance Now. USA: Thames & Hudson, 2018, p. 256.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
M. Grant-Iramu, « A Veritable Feast: An ‘inVisible’ Agenda », 2013. [Online]. Available: http://womeninperformance.com/2013/11/03/a-veritable-feast-an-invisible-agenda/.
J. Greenhalgh, Trad., « 3 Suggestions », The Magdalena Newsletter, nᵒ n. 10, 1993.
J. Greenhalgh et Brookes, M., « The Articulate Practitioner: Articulating Practice ». 2007.
J. Greenhalgh et Gale, M. B., « Magdalena@25: Articulating the Magdalena Project – Past, Present and Future », Contemporary Theatre Review, vol. 23, nᵒ 2, 2013.
J. Greenhalgh, « Magdalena - a polemic, a festival », Performance Magazine, nᵒ 42, 1986.
J
C. Jacobson, « Magdalena Aotearoa 1997 –  », Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
A. Jakubowska et Deepwell, K., All-women art spaces in Europe in the long 1970s. Liverpool: Liverpool University Press, 2018.
H. V. Jamieson et Abrahams, A., Trad., CyPosium - the book. Brescia: Link Editions, 2014, p. 171.
H. V. Jamieson, « We collaborate [t]here: processes of networked collaboration », in Intersecting Art and Technology in Practice: Techne/Technique/Technology, Routledge, 2017.
H. V. Jamieson, « La plateforme UpStage, la cyberformance et l'assistance (intermédiale) », in Théâtre et intermédialité, J. - M. Larrue, Éd. Lille: Presses Universitaires du Septentrion, 2015, p. 355-381.
K
J. Karabekir, Türkiye’de Kadınlarla Ezilenlerin Tiyatrosu: Feminist Bir Metodolojiye Doğru. Istanbul: Agora Kitapligi, 2015.
G. Kehoul, « When the Spectator Talks Back: The Development of Practical Wisdom and an ‘ethics of care’ within the Magdalena Talks Back Network », Conference of the Australasian Association for Drama, Theatre and Performance Studies. Australia, 2008.
M
N. Mansur, « La odisea de la escritura  », in Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, nᵒ n.1, 2005.
B. Mastrominico, « Bodies:On:Live-Magdalena:On:Line  », International Journal of Performance Arts and Digital Media , 2022.
B. Mastrominico, « Embodying Essence through Absence: Performance Practice and Pedagogy Through Digital Platforms », 2022.
B. Mastrominico, « Home-specific Performance and the Digital Staging of the Domestic in Flanker Origami », International Journal of Performance Arts and Digital Media, 2023.

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