Bibliography

Found 72 results
Author [ Title(Desc)] Type Year
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
L
N. Mansur, La odisea de la escritura , in Tablas. La Revista Cubana de Artes Escénicas, vol. Vol. LXXVIII, no. n.1, 2005.
H. V. Jamieson, La plateforme UpStage, la cyberformance et l'assistance (intermédiale), in Théâtre et intermédialité, J. - M. Larrue, Ed. Lille: Presses Universitaires du Septentrion, 2015, pp. 355-381.
J. Graham-Jones, Lola Arias: Re-enacting life. Performance Research Books, 2019.
G. Aniksdal, Looking onto the Boulder, Contemporary Theatre Review, vol. 32, no. 3-4, pp. 342-346, 2023.
M
N. Mateo, Maestras en el Magdalena Project, Primer Acto. Cuadernos de investigación teatral, no. n. 341, pp. pp.87-91, 2011.
L. Wade Soule, Magdalena 1995: Mothers of Invention, New Theatre Quarterly, vol. 12, no. 45, pp. 85-86, 1996.
J. Greenhalgh, Magdalena - a polemic, a festival, Performance Magazine, no. 42, 1986.
C. Jacobson, Magdalena Aotearoa 1997 – , Women Together: a History of Women's Organisations in New Zealand , 2019. [Online]. Available: https://nzhistory.govt.nz/women-together/magdalena-aotearoa.
S. Bassnett, Magdalena: international women's experimental theatre. Oxford: Berg, 1992.
S. Bassnett, Magdalena: International Women's Experimental Theatre. Oxford - New York - Munich: Berg Publishers, 1989.
J. Greenhalgh and Gale, M. B., Magdalena@25: Articulating the Magdalena Project – Past, Present and Future, Contemporary Theatre Review, vol. 23, no. 2, 2013.
L. Simic and Underwood-Lee, E., Maternal Performance: Feminist Relations. Cham: Palgrave McMillan, 2022, p. XII, 252.
V. Bovino and Bastidas, G. Acosta, Mujeres, Madre tierra y Sanación: palabras desde un jardín secreto llamado Proyecto Magdalena, Conjunto, vol. 9, no. 208-209, pp. 8-10, 2023.
O
L. Corcuera, Otra Genealogía del Teatro, Artes Escénicas, vol. 159, 2011.
R
C. Castrillo, Rastros – el mapa de un oficio . Madrid, España: Libreria Yorick, 2018.
Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2022.
M. Porter, Re-Purposing Suzuki: A Hybrid Approach to Actor Training. New York: Routledge, 2021, p. 172.
F. Babbage, `A Review of The Open Page: Issue One "Women Theatre Myth", Vol 6, Part 2, 1997.
G. Adams, Aniksdal, G., Gale, M. B., and Varley, J., Risking Hope: an anthology of women in theatre. Holstebro, Denmark: The Open Page Publications / Odin Teatret Forlag, 2019, p. 94.

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